The Beatles’ Get Back sessions have been written about to death, so we'll keep it brief. The Beatles gathered on January 2, 1969 at Twickenham Studios with the intention of rehearsing brand new songs for a concert that would be televised live throughout the world. They also agreed to have the entire process filmed for an accompanying documentary.
Excellent addition to any prog rock music collection.
Featuring "Hall Of Bright Carvings"
Not quite a "masterpiece," but almost. Titus Groan were an early (they formed sometime in 1969 and released their only album and single in 1970) art rock/ progressive band who sounded uncannilly like a cross between Czar without the mellotron and The Move circa Message From The Country with a bit of Jethro Tull thrown in for good measure. This means high energy melodic songs with lots of guitars. sax, vocal harmonies, and great percussion work/drumming. There's occaisonal organ and electric piano, but mainly a much earlier guitar battling with flute, sax, and oboe sound.
This nicely assembled, if slightly lengthy, UK collection of Billy Ocean's ballads emphasizes the best-known hits from his `80's catalog, and also includes many non-singles and several newly recorded tunes. The first portion of the set holds the most mass appeal, as it contains significant chart entries like "Suddenly," "There'll Be Sad Songs (to Make You Cry)," "Love Is Forever," and "The Colour of Love." However, it's actually towards the latter part of the set that two of the real gems lie: one being the previously unreleased "Our Love Will Survive"; the other, the sorely overlooked Love Zone album track "Promise Me." "Our Love Will Survive," an outtake from the 1987 Tear down These Walls sessions, is a summery pop-rock ballad with more guitars and less predictable melody than Ocean's typical ballad fare.
Quite possibly the greatest Larry Young album of the post-Blue Note years – and a massive bit of funk that totally redefines his sound! Larry's working here with his hip group Fuel – an ensemble that features Laura Logan on lead vocals, giving the tunes a real focus through her lyrics – and letting them pack a bit more punch too, since her voice sounds a lot like Betty Davis at the time! Larry's keyboards are forceful, but never too over the top – and he's notched things down a bit to focus on the overall groove of the set – still keeping things adventurous on the keys, but also working in a mode that's much more heavily jazz funk! The album's one of THE essential electric jazz sets of the 70s – and features the classic break cut "Turn Out the Lights" – plus other great tracks that include "Floating", "Fuel for the Fire", "I Ching", "H+J=B (Hustle + Jam = Bread)" and "New York Electric Street Music".