Official Release #55. This two-CD set is the second of three albums of material Frank Zappa compiled from the 1988 tour. While Broadway the Hard Way (released in 1988) mostly presented the new songs performed during that tour, this set focuses on older songs (Make a Jazz Noise Here would contain mostly instrumental pieces). This is the best band you never heard in your life because the 12-piece group disintegrated after only four months of touring through the U.S. East Coast and Europe. These shows took place during the Jimmy Swaggart scandal, when the televangelist was caught with a prostitute.
The Best Band in the Land is the third and final studio album of Collective Consciousness Society. It was recorded at Abbey Road Studios in London, January to May 1973 and released in September that year. It includes covers of songs by The Kinks and Cream amongst others, but unlike their first album it mostly features original compositions. The style continues that of their previous two albums, with heavy rock and blues songs arranged with jazz instruments.
This two-CD set is the second of three albums of material Frank Zappa compiled from the 1988 tour. While Broadway the Hard Way (released in 1988) mostly presented the new songs performed during that tour, this set focuses on older songs (Make a Jazz Noise Here would contain mostly instrumental pieces). This is the best band you never heard in your life because the 12-piece group disintegrated after only four months of touring through the U.S. East Coast and Europe. These shows took place during the Jimmy Swaggart scandal, when the televangelist was caught with a prostitute.
One of three collections from the 1988 world tour, THE BEST BAND YOU NEVER HEARD IN YOUR LIFE is a portrait of one of Zappa's most accomplished bands. Unfortunately, this band self-destructed in mid-tour and never completed their scheduled appearances. … Full DescriptionHence, the title stands for the fans that couldn't see this amazing group live. The vocals of Ike Willis and Mike Keneally, the rhythmic acrobatics of Chad Wakerman, Ed Mann and Scott Thunes, the powerful horn section including the Fowler brothers, keyboardist/vocalist Bobby Martin–it all adds up to one of the most musically agile bands Zappa ever commanded.
There are the usual Zappa favorites on disc one with "Cosmic Debris" and "Zomby Woof." The band also gets to flex its muscles on the instrumentals "Zoot Allures" and "Sofa #1." Disc two captures all the zany behavior that could be preserved on tape as bizarre covers of "Purple Haze" and "Sunshine Of Your Love" start things off. Snippets of "When Irish Eyes Are Smiling," "The Godfather Theme" and "Bonanza" escalate into a diatribe by right-wing character Brother A. West and several songs denouncing televangelist Jimmy Swaggart. The finale of "Stairway To Heaven" ties everything back together in grand Zappa style.
Hootie & the Blowfish never were cut out to be superstars. They were meant to be the best band at the local bar. They were ordinary guys, and they played ordinary music, the kind that could be heard in any college town on the East Coast or Midwest during the early '90s when the local bar wasn't having grunge night. It was the ordinariness of the music on their 1994 debut, Cracked Rear View, that connected with millions of American listeners – they sounded like everybody's favorite local band. Once they were superstars, their bubble burst fairly quickly as the 1996 follow-up sold considerably fewer than the debut, and by the end of the decade, they had settled into a reliable routine of turning out modest records and touring steadily, without many people outside of their core fans noticing. Their popularity might have declined, but as the 2004 Atlantic/Rhino compilation The Best of Hootie & the Blowfish (1993 Thru 2003) illustrates, their music changed very little over the course of the decade, nor did the quality of their music decline.
Formed in 1967 by former Motions guitarist Robbie van Leeuwen, the Dutch quartet Shocking Blue originally had a lineup of VanLeeuwen on guitar, lead vocalist Fred DeWilde, bass player Klaasje Van der Wal, and drummer Cornelius Van der Beek, and the initial configuration of the band had a minor homeland hit with “Lucy Brown Is Back in Town” a year later in 1968…
Love is in the air on a 22-track compilation from Arthur Lee's Legendary Band! The oft-overused word groundbreaking could in fact have been coined to describe the brief and brilliant career arc of Love, the pioneering psychedelic folk-rock group that was the brainchild of singer-songwriter and formidable frontman Arthur Lee. They are one of the first fully integrated acts in popular music - the visionary Lee is an African-American from Memphis, TN, who migrated west before finding fame. It's also a fact that Love was the first rock band signed to Jac Holzman's now-legendary 1960s Elektra roster, where they were instrumental in helping The Doors get started. Love's genius 1967 LP Forever Changes is considered one of the best pop albums ever made, and undoubtedly vies for most inclusions on the all-time Top 10 lists of music critics everywhere. Love made four albums from 1966-69 (including that masterwork), and it's from this quintessential quartet of recordings - plus two non-LP singles from the era - that THE BEST OF LOVE draws its incandescent repertoire.
Bon Jovi is an American rock band from Sayreville, New Jersey. Formed in 1983, Bon Jovi consists of lead singer and namesake Jon Bon Jovi (born John Francis Bongiovi, Jr.), pianist and keyboardist David Bryan, drummer Tico Torres, lead guitarist Phil X, and bassist Hugh McDonald. The band's lineup has remained mostly static during its history, with the only exceptions being the 1994 dismissal of bass player Alec John Such, who was unofficially replaced by Hugh McDonald, and the departure of longtime guitarist and co-songwriter Richie Sambora in 2013. Phil X and McDonald both become official members in 2016.
Career retrospective from Pub Rock’s angriest man Graham Parker, spread over 6 CDs with a DVD featuring a live set at the Brook Southampton from last year’s final tour with the Rumour…LTW’s Ian Canty looks at 40 years of Camberley’s very own Punk Soul brother….. It wasn’t very promising on the face of it. A resentful 25 year old garage pump attendant with a run through the 60s from Mod to Hippy behind him and a headful of dreams about Van Morrison and Dr Feelgood, matched up with what might have been the cream of the Pub Rock scene. But this was after all of their respective bands had singularly failed to make an impact, so together, in 1976, they stood at the doors of the Last Chance saloon. What wasn’t expected was that with their musical power allied to the petrol pump punk’s lyrical smarts and alarming stage presence, they would blow the doors off the hinges. Ladies and gentleman, I give you Graham Parker and the Rumour.