Great performances of this massive symphony aren’t exactly thick on the field, but my goodness, this is one of them. Vasily Petrenko and the Royal Liverpool Philharmonic play with 100 percent commitment in every single bar. The first movement opens broadly, the intensity already palpable. Taking full advantage of excellent sound and a wide dynamic range (crank up the volume for this one), the central march and battle will have you sweating in your seat. The unrelentingly sustained passion that Petrenko brings to this long section triumphantly vindicates Shostakovich’s controversial vision, and at the same time makes short work of a 28-minute overall timing.
Dmitri Shostakovich's Symphony No. 7 in C major, Op. 60 (titled Leningrad), was written c. 1939–40. Initially dedicated to the life and deeds of Vladimir Lenin, Shostakovich decided instead to dedicate the symphony to the city of Leningrad on its completion in December 1941. The work remains one of Shostakovich's best-known compositions.
"This was a performance, played with the Concertgebouw's phenomenal spectrum of coloring, phrasing & dynamic subtlety that asserted the symphony's organic structural credentials & spoke of deep-seated, human feelings throughout its ample 80-minute span. It was wonderful to have past reservations about the symphony swept aside with such authority. " ~The Telegraph
Claudio Abbado was undeniably the supreme Mahler conductor of our time. With his Lucerne Festival Orchestra he has set new standards in the field of classical music, especially in the interpretation of works by Gustav Mahler. The core of the orchestra is provided by the Mahler Chamber Orchestra, itself an élite body of players. Soloists like violinist Kolja Blacher, clarinettist Sabine Meyer, oboist Albrecht Mayer, violist Wolfram Christ, cellist Natalia Gutman, the Hagen Quartet and members of the Alban Berg Quartet to name just a few, make the Lucerne Festival Orchestra a star-studded ensemble.
The Barbirolli Societys latest release is a 2-CD set of the complete concert given in the Free Trade Hall, Manchester on 20 October 1960, with the combined forces of the Hallé and BBC Northern Symphony Orchestras. The concert consisted of Nielsens Symphony No.5 and Mahlers Symphony No.7. Michael Kennedy, writing in 2000, stated: Performances of the (Mahler) Seventh were much rarer then than they are today, and Mahlerian scholars and enthusiasts flocked to Manchester for the event, among them Deryck Cooke who was profoundly impressed by Sir Johns ability to make the works structure cohere. This was an especially significant comment coming from Cooke, who harboured many doubts about the symphony and confessed to finding it most problematical.
Bruckner‘s Seventh – The master‘s homage to Richard Wagner With the mighty build-ups and monumental fortissimi of Bruckner’s Seventh, Welser-Möst and his Clevelanders have their work cut out for them. And they do not disappoint. The most popular, and perhaps most easily accessible, of Bruckner‘s symphonies, the Seventh casts its spell on the audience with its clear-cut architecture and the wealth and fullness of its melodies. From the sweeping opening theme of the first movement to the victorious chords of the finale, the Cleveland Orchestra and its conductor deliver a magisterial reading of Bruckner‘s masterpiece. Cleveland‘s Severance Hall is the venue for this performance. This hall, an eclectic yet elegant mix of Art Deco, Art Nouveau, Classicism, Egyptian Revival and Modernism was inaugurated in 1931 and is still hailed today as one of the world‘s most beautiful concert halls. The Cleveland Orchestra, founded in 1918, began its ascent to the upper ranks of the world‘s ensembles after it moved to Severance Hall in 1931.
A host of accomplished conductors including Daniel Harding, Daniele Gatti, Bernard Haitink and Eliahu Inbal lead the Royal Concertgebouw Orchestra in these performances of Mahler's Symphonies Nos. 1-10. Recorded in Amsterdam over two seasons in 2010/11, the collection also includes 'Das Lied von der Erde'.
Gustavo Dudamel resumes his survey of the Mahler symphonies with this recording of the rare, mysterious 7th Symphony. The 7th is a “symphony of everything”, says Dudamel, “from chaos to glory, sarcasm to tenderness, from a funeral march to a seductive tango. It is a cosmic symphony of perfect construction and galactic emotional scope.”