Slowly Rolling Camera formed in Cardiff in 2013 and brought together four wildly talented musicians from diverse backgrounds in vocalist/lyricist Dionne Bennett, composer/keyboardist Dave Stapleton, drummer Elliot Bennett and producer/sound design artist Deri Roberts. The result was a captivating hybrid of these influences: trip hop, jazz, soul, electronic music fused into a new and unique soundscape. The product was their eponymous album, released on Edition Records in February 2014, described by The Guardian as a ‘powerful newcomer with Rising Star written all over it.
American-Japanese guitarist Aki Ishiguro, German bassist Peter Schwebs and Chilean drummer Rodrigo Recabarren recorded their debut album MURAL in March of 2015 at Systems Two in Brooklyn, New York. MURAL is a collective group made of three rising jazz stars in New York. The band showcases each members' virtuosic instrumental skills as well as their refined compositions. Subtle influences of European classical music, Japanese folk, and South American rhythms are just one the culmination of the multiple nationalities and cultures represented in the trio. The group’s collaboration is apparent through their balanced sound, wide dynamics, and seamless interaction. MURAL is truly a band effort – a single instrument with three musicians.
The legendary Brazilian pianist Nelson Freire specializes in the 19th century and has turned to recording Bach in his eighth decade, apparently for the first time. All you can say is that it was worth the wait. His Bach is typically restrained, not unaware of the long tradition of Bach piano performances, but decidedly unlike anyone else's approach. In general, Freire is pianistic without applying a lot of pedal.
Coming off an intense and emotionally rough period that surrounded the recording and release of 2013's No Morphine No Lilies, drummer Allison Miller's Boom Tic Boom is in upbeat, adventurous form on 2016's Otis Was a Polar Bear. Which isn't to say that she and her bandmates weren't game for adventure on No Morphine No Lilies. On the contrary, the group found its footing on that album born out of a tumultuous year that included Miller taking care of her sick girlfriend, two of her bandmates having babies, and Miller drawing attention, some unfairly negative, for a Huffington Post article she wrote about being a lesbian feminist in the jazz world.
Core and founding members James Lloyd and Curtis Harmon refer to In the Moment as the 20th Pieces of a Dream album. Instead of hosting a guest-filled blowout, they keep it simple with familiar associates, guitarist Rohn Lawrence, saxophonist Tony Watson Jr., and bassist David Dyson. The duo also receive a little assistance from a handful of additional musicians, including Shanachie label stalwart Chris "Big Dog" Davis.
24-bit remastered French exclusive compilation is packaged in a well designed digipak. 24 tracks performed by Louis Armstrong with various ensembles, His Hot Five, His Hot Seven, His Orchestra, Savoy Ballroom Five & others.
These performances come from the first ever complete set of the Mozart symphonies, dating from the 1960s, and they still represent 'big orchestra' Mozart at its most congenial. The contrast here between Bohm's sparkling Mozart, both elegant and vigorous, and the much smoother view taken by Karajan with the same orchestra, works almost entirely in Bohm's favour. Interpretatively, these are performances very much of their time, with exposition repeats the exception (as in the first movement of No. 40) and with Minuets taken at what now seem lumbering speeds. Yet slow movements flow easily, and finales bounce along infectiously. Consistently they convey the happy ease of Bohm in Mozart, even if the recording is beefy by today's standards, not as transparent as one now expects in this repertory, whether on modern or period instruments.