Someday My Prince Will Come

Manhattan Jazz Quintet - Someday My Prince Will Come (2007) {Videoarts Japan} [Re-Up]

Manhattan Jazz Quintet - Someday My Prince Will Come (2007) {Videoarts Japan}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 312MB + 5% Recovery
MP3 CBR 320 Kbps | 134MB + 5% Recovery
Genre: Jazz, Post-Bop

The Manhattan Jazz Quintet have been an on-again, off-again collective of New York City-based musicians who primarily record for the Japanese market. Co-founding members David Matthews (piano and arranger) and trumpeter Lew Soloff are still on hand, though the remainder of the group on this occasion consists of tenor saxophonist Andy Snitzer, bassist Charnett Moffett, and drummer Victor Lewis.
Miles Davis - Someday My Prince Will Come (1961) [Japanese Reissue 2007] PS3 ISO + Hi-Res FLAC {RE-UP}

Miles Davis - Someday My Prince Will Come (1961) [Japanese Reissue 2007]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 41:50 minutes | Scans included | 1,37 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 939 MB
Manhattan Jazz Quintet - Someday My Prince Will Come (2007) {Videoarts Japan}

Manhattan Jazz Quintet - Someday My Prince Will Come (2007) {Videoarts Japan}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 312MB + 5% Recovery
Genre: Jazz, Post-Bop

The Manhattan Jazz Quintet have been an on-again, off-again collective of New York City-based musicians who primarily record for the Japanese market. Co-founding members David Matthews (piano and arranger) and trumpeter Lew Soloff are still on hand, though the remainder of the group on this occasion consists of tenor saxophonist Andy Snitzer, bassist Charnett Moffett, and drummer Victor Lewis.
Miles Davis - Someday My Prince Will Come (1961) [Analogue Productions 2010] {2.0 & 3.0} PS3 ISO + FLAC {RE-UP}

Miles Davis - Someday My Prince Will Come (1961) [Analogue Productions 2010] {2.0 & 3.0}
PS3 Rip | SACD ISO | DSD/DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 41:49 minutes | Scans included | 2,54 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 42:14 mins | Scans included | 933 MB
Miles Davis - Someday My Prince Will Come (Original Chilian CBS Records) Vinyl rip 24-bit/96kHz + Redbook *Repost*

Miles Davis - Someday My Prince Will Come
Chilian CBS Records
Vinyl rip in 24-bit/96kHz | FLAC (Tracks) , m3u, no cue or log (vinyl) artworks | Stereo | 897 Mo | 5% RAR Recovery | 1961
Styles: Jazz | RapidShare Download

'There's a lot of excellent music here, from the title track (yes, the Disney tune) which features some of the finest playing I've ever heard from Davis, sad and tender and gorgeous, to the blues "Pfrancing" to the return-to-modes "Teo"… hell, every track on the record works'. (DBW)


Affected by the phase invert on the left channel, this a repost with files fixed.

Cindy Blackman - Someday... (2001)  Music

Posted by TestTickles at Feb. 27, 2015
Cindy Blackman - Someday... (2001)

Cindy Blackman - Someday… (2001)
MP3 CBR 320kbps | RAR | 127mb
Genre: jazz

While she became known in the early 1990's as the live drummer for Lenny Kravitz, Cindy Blackman had already released music on her own. Someday… is her fifth album released in 2001 featuring J.D. Allen (tenor sax), Carlton Holmes (piano, Fender Rhodes, keyboards), and George Mitchell (bass).

Big Daddy Wilson & Doc Fozz - My Day Will Come (2003)  Music

Posted by countryfreak at April 24, 2013
Big Daddy Wilson & Doc Fozz  - My Day Will Come (2003)

Big Daddy Wilson & Doc Fozz - My Day Will Come (2003)
EAC Rip | FLAC (Image) + CUE + LOG | Covers | 338 MB
Genre: Jazz/Blues | Label: Cross Roads Records | Catalog Number: CRCD-060
RAR 5% Rec. | Uploaded | Release Date: 2004

This CD is very special, because this is my first duo CD. It gives me the chance to record a few of my favourite songs in a small formation. We used only one guest musician per song. We tried to make our version of these songs as simple as possible. 'So that the pure sound of the guitar and voices might stand out. That you might drift into the story and feel the mood of the moment.Most of the songs on this CD are recorded for easy listening. We chose mostly slower songs and we tried to give them all a little touch of Blues.–by Big Daddy Wilson

Kazumi Watanabe - Dandyism (1998) {Polydor}  Music

Posted by tiburon at March 15, 2017
Kazumi Watanabe - Dandyism (1998) {Polydor}

Kazumi Watanabe - Dandyism (1998) {Polydor}
EAC 0.99pb5 | FLAC tracks level 6 | Cue+Log+M3U | Full Scans 300dpi | 186MB + 5% Recovery
Genre: Jazz, Fusion

Kazumi Watanabe is a jazz and jazz fusion guitarist, from Tokyo, Japan. Watanabe learned to play guitar from Sadanori Nakamure, one of Japan's grandmaster guitarists. He released his first recording in 1971, and quickly became a promising guitarist in his own right. In 1979, he formed an all-star band with some of Japan's leading studio musicians, and recorded the album Kylyn, which is considered a masterpiece in fusion music.
Bill Evans - Live at Art d'Lugoff's Top Of The Gate (2012/2017) [DSD128 + Hi-Res FLAC]

Bill Evans - Live at Art d'Lugoff's Top Of The Gate (2012/2017)
DSD128 (.dsf) 1 bit/5,6 MHz | Time - 89:50 minutes | 4,61 GB
FLAC (tracks) 24-bit/88,2 kHz | Time - 89:50 min | 1,57 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Live at Art D’Lugoff’s Top of the Gate, a previously unreleased recording captured over a half century ago consists of two blistering sets recorded at the legendary venue in October, 1968. Digitally remastered from the original tapes, the album features one of jazz’s most prominent trios – pianist Bill Evans, drummer Marty Morell and bassist Eddie Gomez.

Paul Desmond - Summertime (1968/2004)  Music

Posted by mark70 at Nov. 9, 2016
Paul Desmond - Summertime (1968/2004)

Paul Desmond - Summertime (1968/2004)
EAC Rip | FLAC (tracks) + Cue + Log | Covers | 40:39 min | 253 MB
Genre: Mainstream Jazz, Cool | Label: AM Records (#SP-3015)

In the midst of lolling away his time in semi-retirement after the Dave Brubeck Quartet broke up in 1967, Paul Desmond allowed himself to be lured back into the recording studio by producer Creed Taylor, who knew exactly what to do with his idle, but by no means spent, alto player. The result is a beautifully produced, eclectic album of music that revives Desmond's "bossa antigua" idea and sends it in different directions, directly toward Brazil and various Caribbean regions, as well as back to the jazzy States.