Recorded for Mercury in 1976, the Nightflight sessions saw Szabo travelling to Philadelphia's Sigma Sound Studios to make an album indebted to the funky, soulful music of the legendary Philadelphia International Records home to such artists as Teddy Pendergrass, Lou Rawls, Billy Paul, Harold Melvin & The Blue Notes, The Three Degrees and The O'Jays. Deepening Nightflight's links to The Philadelphia Sound were the musicians accompanying Szabo. The rhythm section comprised members of Instant Funk a group who appeared on many Philadelphia International recordings alongside various studio players, among them keyboardist-composer Dexter Wansel and guitarist-pianist-singer Bunny Sigler who also produced the sessions. The result is a colourful fusion of lush soul music with Szabo's distinctive brand of jazz guitar.
Essential: a masterpiece of progressive rock music
After the lacklustre Unfortunate Cup of Tea, the next album was going to be a watershed for Horslips. In the end, they returned broadly to the formula that had brought them so much acclaim for The Tain and produced a concept album based on Irish mythology and full of great songs based on Irish traditional tunes. And it works just as well as The Tain, having brought them enormous critical acclaim. If anything, they show their amazing musicianship off even more, with Charles O’Connor’s fiddle and mandolin swopping riffs with Johnny Fean’s scything lead guitar and Jim Lockhart’s flute,whistle, pipes and keyboards.
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The eighth album in Camaron de la Isla's discography with Philips record company, "with the special collaboration of Paco de Lucia" and Ramon de Algeciras on guitar. A varied summary of flamenco styles - from the Chacon taranta to El Mellizo tientos, with sevillanas and fandangos caracoleros in between - which was dubbed at the time as a "jewel of a record".
Twelve years after they released their first Merle Haggard box, The Untamed Hawk, Bear Family delivered the sequel, Hag: The Studio Recordings 1969-1976. This picks up where The Untamed Hawk left off, which is more of a musical dividing point than it initially seems. If The Untamed Hawk caught Haggard as he was reaching full flight, Hag captures him in his prime, as every single he released reached the Country Top Ten – often capturing the number one slot – and as he sometimes crossed over into the pop Top 40. Hag was without a doubt the biggest star in country music but the remarkable thing about his reign at the top was that he never played it safe.
Quite an unusual album from Grant Green – a record that's quite different than his earlier records for Blue Note, but still pretty darn great overall! Grant's working here in a large group – Kudu style – with arrangements by David Matthews, but a sound that's still pretty lean overall! There's a fair bit of great players in the lineup – including Jon Faddis on trumpet, Hubert Laws on flute, and Joe Farrell on tenor – and the horns soar out nicely to set the scene over some tightly stepping backings – all served up with plenty of room for Grant to solo spaciously on guitar! The title track – "The Main Attraction" – is nearly 20 minutes long – and the other two tracks, "Creature" and "Future Feature", both approach the 10 minute mark themselves!
Miroslav Vitous is best known as one of the foremost young bassists in the jazz-rock movement of the late 60's and early 70's. He was a founding member of Weather Report and made numerous solo albums. This album, Magical Shepherd, is making its worldwide CD debut. It features such jazz luminaries as Herbie Hancock, Jack DeJohnette & Airto Moreira. It was originally issued on LP in 1976 on Warner Brothers.