Although he was indicted (along with Shostakovich, Prokofiev, and a number of other prominent Soviet musicians) for "formalism," in the infamous Zhdanov decree of 1948, Aram Khachaturian was, for most of his long career, one of the Soviet musical establishment's most prized representatives. Born into an Armenian family, in Tbilisi, in 1903, Khachaturian's musical identity formed slowly, and, although a tuba player in his school band and a self-taught pianist, he wanted to be a biologist, and did not study music formally until entering Moscow's Gnesin Music Academy (as a cellist) in 1922. His considerable musical talents …..
Shostakovich jazz music? Taken at face value, this CD is nothing of the sort. Shostakovich's lively and endearing forays into the popular music of his time were just that, and light years away from the work of real jazz masters such as, say Jelly Roll Morton or Duke Ellington And yet they do say something significant about Shostakovich's experience of jazz, as a comparison of these colourful, Chaplinesque Jazz Suite Suites with roughly contemporaneous music by Gershwin Milhaud, Martinu MartinJ, Roussel and others will prove.
Internationally recognized as one of the most talented conductors of his generation, Yuri Temirkanov has been the Music Director and Chief Conductor of the St. Petersburg Philharmonic Orchestra since 1988.
Karl Richter’s recordings of Bach’s orchestral and sacred music influenced an entire generation of musicians and listeners, presenting the conductor’s unique sound and style. When Richter recorded Bach’s works, he freed them from a ponderous tradition that had mired the music in romantic sounds and idiom. Richter lightened Bach’s music, and, with an orchestra of outstanding musicians, helped bring it toward the more modern interpretations that listeners have become familiar with today. This is still a bit far from the historically-informed performances that are pretty much the norm, but there is a unity and natural originality that comes through the music in these recordings.
Bach’s keyboard works known as the English Suites offer a series of dance movements which, despite their name, owe more to earlier French and German models. This is the first of two recordings of the complete English Suites arranged for two guitars by the distinguished Montenegrin Guitar Duo. Transcriptions of Bach for solo guitar have been popular since the nineteenth century and the emergence of the guitar duo extends still further the potential for exciting and revelatory performances.
To hear bassist Kent Carter on this '84 recording is to hear the bassist in an entirely different context than anything his work with Steve Lacy and Paul Bley would belie. Always an artist with a penchant for strengthening an ensemble and its collective voice, Carter has comprised his ostensibly "solo" work of exercises and experiments documenting his search for a unified string conception in a group context. The use of overdubbed parts on everything from Ligeti-esque soundmasses to Eastern European folk explorations on his '74 Emanem recording, Beauvais Cathedral, point directly to Carter as something more than a sideman. Of late featuring Albrecht Maurer and Emmanuelle Roch on violin and viola, respectively, the Trio in this early incarnation consists of Carter, Portuguese violinist Carlos Zingaro (who has since become a mainstay of the Lisbon free music scene), and French violist Francois Dreno. One of the most noticeable things about this string configuration is the replacement of the usual cello with the bass (and Carter is an accomplished cellist as well).
Her fourth release, “Traverse This Universe”, finds Ms. Sophie Lee reaching beyond her traditional jazz roots with original material written alongside her ukulele and with the help of producer/songwriters Luke Winslow-King, Earl J. Scioneaux, III and Ben Polcer. “Traverse This Universe” features six original compositions and five standards performed by Ms. Sophie Lee’s mainstay Spotted Cat band and showcasing over a dozen talented New Orleans musicians, including Aurora Nealand, Helen Gillet, Charlie Halloran, Khris Royal amongst others. As lagniappe, the album artwork highlights the creative talents of her eight and six year old daughters.