Digitally remastered release that contains, for the first time ever on CD, a complete live performance in Manchester by the legendary Shelly Manne quintet with Joe Gordon and Richie Kamuca. This short lived group had produced the celebrated multi-volume albums at the Blackhawk, in San Francisco, the previous year (with Victor Feldman on piano instead of Russ Freeman), as well as celebrated recordings of Henry Mancini's Peter Gunn music. The Manchester concert, which was only previously released on an extremely rare long out of print LP, showcases the quintet in high spirits, and offers a new opportunity to appreciate the talents of trumpeter Joe Gordon, who would die soon after.
This CD reissue brings back one of the oldest recordings ever issued by the Concord label, a set that was already nine years old when it debuted. Drummer Shelly Manne heads a strong quintet comprised of trumpeter Conte Candoli, altoist Frank Strozier (who doubles on flute), pianist Mike Wofford and bassist Monty Budwig. Although the musicians are all associated with the West Coast hard bop tradition, there are plenty of moments during this stimulating set when they make it obvious that they had been listening with some interest to some of the avant-garde players, allowing the new innovations to open up their styles a bit. The fresh material (two standards and a pair of originals apiece by Strozier, Wofford and pianist Jimmy Rowles) inspire the soloists and the music is not at all predictable. Worth investigating.
This album came about through a fortuitous convergence of circumstances. Shelly Manne & His Men were appearing at New York's Village Vanguard, sharing the bill with the Bill Evans Trio. Getting Riverside's permission to let the pianist participate, Creed Taylor set up a session at Rudy Van Gelder's studio with Evans and Manne sharing top billing. Manne's bass player, Monty Budwig, made up the trio.
Earl Gaines was born in Alabama in 1935. He left home at age 16 and headed for Nashville, hoping for a career as a blues singer. He hooked up with the great saxophonist Louis Brooks whose group the High-Toppers were the first call R&B session musicians in Nashville at the time. Earl fronted the group as a vocalist and also played drums from time to time. In his career Gaines recorded with the cream of Nashville's R&B sidemen including Johnny Jones, Billy Cox, Larry Lee, Freeman Brown, Skippy Brookes, Arron Varnell, Harrison Calloway and The Commanders. This recording features many rarities and 1990's outtakes and showcases what an amazing artist Earl Gaines is and is a must for fans of Southern Soul and Blues. Crankshaft Blues features guest appearances by Roscoe Shelton, members of The Amazing Rhythm Aces and Roadrunners and is digitally remastered and packaged in digipak format with informative liner notation by Fred James.
This unusual set has five selections from a date featuring the great tenor Coleman Hawkins, pianist Hank Jones, bassist George Duvivier, and drummer Shelly Manne. Both "Take the 'A' Train" and "Cherokee" find the group at times playing two tempos at once (Manne sticks to double-time throughout "Cherokee"), and showing that they'd heard some of the avant-garde players. The most swinging piece, "Avalon," was previously available only on a sampler, while "Me and Some Drums" features Hawkins and Manne in a very effective duet; the veteran tenor makes his only recorded appearance on piano during the first half…
A useful guide to understanding the structure and meaning of media and its messages.
Caring is the debut album by Rosie Gaines, released October 8, 1985.