Sergey Radchenko

Unwanted Visionaries: The Soviet Failure in Asia at the End of the Cold War  eBooks & eLearning

Posted by nebulae at July 16, 2015
Unwanted Visionaries: The Soviet Failure in Asia at the End of the Cold War

Sergey Radchenko, "Unwanted Visionaries: The Soviet Failure in Asia at the End of the Cold War"
English | ISBN: 0199938776 | 2014 | 400 pages | PDF | 3 MB
Unwanted Visionaries: The Soviet Failure in Asia at the End of the Cold War (Audiobook)

Unwanted Visionaries: The Soviet Failure in Asia at the End of the Cold War (Audiobook) By Sergey Radchenko, read by Ken Kliban
Unabridged edition 2014 | 16 hours and 29 mins | ISBN: n/a, ASIN: B00J9QO7SW | MP3 32 kbps | 226 MB

Darina Dashkina - Sergey Korolkov Photoshoots 2017  Girls

Posted by nrg at Sept. 18, 2017
Darina Dashkina - Sergey Korolkov Photoshoots 2017

Darina Dashkina - Sergey Korolkov Photoshoots
25 jpg | up to 1227*1840 | 9.32 MB
Russian model
Vladimir Spivakov, Anatoly Sheinyuk, Yuli Turovsky, Sergey Dizhur - Mozart: Kirchensonaten (2015)

Vladimir Spivakov, Anatoly Sheinyuk, Yuli Turovsky, Sergey Dizhur - Mozart: Kirchensonaten (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 66:05 | 326 MB
Genre: Classical | Label: Melodiya | Catalog: MEL CD 10 02265

Vladimir Spivakov is known for his Mozart interpretations as a soloist, chamber ensemble member and conductor. In his renditions, Mozart’s concertos, violin sonatas, ensembles, divertimentos, symphonies and masses preserve the combination of lightness and inner depth, youthful naivety and philosophic wisdom which were so characteristic of the great Salzburger. From the first years of his artistic career, Spivakov showed interest in Mozart’s heritage composed in different genres.
Deutsches Symphonie-Orchester Berlin, Tugan Sokhiev - Sergey Prokofiev: Symphony No. 5; Scythian Suite (2016)

Sergey Prokofiev: Symphony No. 5; Scythian Suite (2016)
Deutsches Symphonie-Orchester Berlin; Tugan Sokhiev, conductor

EAC | FLAC | Image (Cue&Log) ~ 298 Mb | Mp3 (CBR320) ~ 160 Mb | Scans included
Genre: Classical | Label: Sony Classical | # 88875185152 | Time: 01:07:42

Gramophone Magazine Editor's Choice - June 2016. Prokofiev’s Fifth Symphony was conceived in the Soviet Union as World War II was still raging. He gave out in a statement at the time that he intended it as "a hymn to free and happy Man, to his mighty powers, his pure and noble spirit." He added "I cannot say that I deliberately chose this theme. It was born in me and clamoured for expression. The music matured within me. It filled my soul." Prokofiev originally wrote the Scythian Suite for the Sergei Diaghilev ballet Ala i Lolli, the story of which takes place among the Scythians. After Diaghilev called for a change of plan before the score was complete, the Prokofiev reworked the music into a suite for concert performance.
Mikhail Pletnev, Vadim Repin, Ilya Gringolts, Nobuko Imai, Lynn Harrell - Sergey Taneyev: Chamber Music (2005)

Sergey Taneyev - Chamber Music: Piano Quintet Op.30; Piano Trio Op.22 (2005)
Mikhail Pletnev (piano); Vadim Repin, Ilya Gringolts (violin)
Nobuko Imai (viola); Lynn Harrell (cello)

EAC | FLAC | Tracks (Cue&Log) ~ 343 Mb | Mp3 (CBR320) ~ 190 Mb | Scans ~ 91 Mb
Genre: Classical | Label: Deutsche Grammophon | # 00289 477 5419 | Time: 01:22:37

Apparently a staple in Russia, the music of Taneyev exists on the fringes of the repertoire in the West, something that should be rectified–and will be if this superb CD made by a starry cast of performers gets the attention it deserves. He’s a Romantic composer, but hardly of the heart-on-sleeve variety, since he was a master of counterpoint and firmly encased his Romantic impulses in a well-fitted classical jacket. Sometimes he makes you think of a more modern, pungent Brahms with a Russian accent.
Utrecht String Quartet, Alexander Zemtsov, Pieter Wispelwey - Sergey Ivanovich Taneyev: String Quintets Op.14 & Op.16 (2015)

Sergei Iwanowitsch Tanejew: String Quintets Op. 14 & Op. 16 (2015)
Utrecht String Quartet; Alexander Zemtsov, viola; Pieter Wispelwey, violoncello

EAC | FLAC | Tracks (Cue&Log) ~ 354 Mb | Mp3 (CBR320) ~ 199 Mb | Scans included
Classical | Label: MDG (Dabringhaus & Grimm) | # MDG6031923 | 01:18:22

A musical cosmopolitan and a Russian patriot, many regarded Taneyev's compositions as unintelligible and reactionary. The Utrecht String Quartet, an ensemble delighting in discovery, has now set itself the task of his long overdue rehabilitation. Just in time for the hundredth anniversary of the composer's death, the Dutch musicians, together with Pieter Wispelwey and Alexander Zemtsov, are presenting his two string quintets in a new recording, shedding new light on Russian music from around the turn of the century.
London SO & Chorus; Mstislav Rostropovich, Soloists - Sergey Prokofiev: Ivan the Terrible; Alexander Nevsky (1992) 2CDs

Sergey Prokofiev - Ivan the Terrible; Alexander Nevsky (1992) 2CDs
Christopher Plummer (narrator), Tamara Sinyavskaya, Sergei Leiferkus, Dolora Zajick
New London Children’s Choir, London Symphony Orchestra & Chorus; Mstislav Rostropovich

EAC | FLAC | Image (Cue&Log) ~ 552 Mb | Mp3 (CBR320) ~ 325 Mb | Scans included
Classical, Oratorio | Label: Sony Classical | # S2K 48387 | Time: 02:14:45

The famous Russian director Sergei Eisenstein held Prokofiev the film composer in the highest regard, and to couple their two celebrated collaborations, Ivan the Terrible and Alexander Nevsky, in a two-disc set is therefore entirely appropriate. Ivan the Terrible, however, is a problematic score. Assembled by Abram Stassevich after the composer’s death, the oratorio lacks the large-scale balances and tensions of Prokofiev’s own Nevsky cantata, relying on narration to hold the structure together. This substantial English version by Michael Lankester, intended to ‘compensate for the lack of visual image’, is well projected by Christopher Plummer. Rostropovich directs a vivid performance of Alexander Nevsky, and only the rich tone of Russian voices is lacking. The LSO plays brilliantly, while the recording does full justice to one of Prokofiev’s finest scores.
Tigran Alikhanov, Moscow String Quartet - Sergey Taneyev: Piano Quintet, Op.30; Felix Mendelssohn: Piano Quartet, Op.3 (2008)

Sergey Taneyev: Piano Quintet, Op.30; Felix Mendelssohn: Piano Quartet, Op.3 (2008)
Tigran Alikhanov, piano; Moscow String Quartet

EAC | FLAC | Image (Cue&Log) ~ 360 Mb | Mp3 (CBR320) ~ 183 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 1001240 | Time: 01:16:34

Typically stirring and passionate Russian sounding performances of these two lyrical and popular pieces. As ever the Moscow String Quartet play with their customary musicianship and brilliance. “The performing style of Tigran Alikhanov is notable for its seriousness, careful approach to the composer’s conception and a wealth of timbral sound on the piano. The virtuosic side of Alikhanov’s art stands on a very high level” remarks pianist Nikolai Petrov.
Boris Giltburg - Sergey Rachmaninov: Etudes-tableaux, Op. 39; Moments musicaux (2016)

Boris Giltburg - Rachmaninov: Études-tableaux, Op. 39; Moments musicaux (2016)
EAC | FLAC | Image (Cue&Log) ~ 225 Mb | Mp3 (CBR320) ~ 168 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.573469 | Time: 01:10:36

Boris Giltburg's 2016 release on Naxos consists of two sets of piano pieces by Sergey Rachmaninov, the Études-tableaux, Op. 39 (1916-1917), and the Moments musicaux, Op. 16 (1896). The Études-tableaux are a cross between technical studies and character pieces, reminiscent of the etudes of Frédéric Chopin, and they present considerable challenges, even to virtuoso pianists. Here, Giltburg displays his remarkable skills, as well as a range of expressions that run from the fiery and turbulent to the atmospheric and melancholy. In the Moments musicaux, Rachmaninov experimented with short forms, such as the nocturne, etude, funeral march, barcarolle, and theme with variations, and these pieces demonstrated his mastery of piano technique, if not yet his full maturity as a composer. Giltburg's playing brings out a variety of colors and textures, and his passionate interpretations accord with Rachmaninov's youthful, ardent style.