After finally releasing a new track, commissioned by Expo 2000 in Hanover, Germany, Kraftwerk proceeded to open it up to a whole new set of remixers. Featuring four remixes by Detroit's influential Underground Resistance, one from British electronic musicians Orbital, one from seminal DJ/producer François Kevorkian, and several from Kraftwerk themselves, this ten-track CD shows what Kraftwerk can sound like in the modern world. Considering that Kraftwerk is often quoted as a major influence on Detroit techno, its unsurprising that the remixes by the Underground Resistance far surpass either of the other two mixes. Revamping the songs in a "Kraftwerk living in Detroit" sort of way, UR pay homage to one of the forefathers of their art. Fortunately, none of the mixes mimics another, a relatively difficult feat when working with material as sparse as a Kraftwerk song. All of the remixes are worthwhile additions to the vast canon of Kraftwerk material.
The eighth in a series of 8 simultaneously released sets celebrating the most iconic British pop show of all time takes a journey back in time to a time of pure pop joy, nu-metal and urban grooves. Marking the period 2001-2006 this 3-CD collection includes Take That, Fall Out Boy, Girls Aloud, Scissor Sisters, Gnarls Barkley, 50 Cent, Razorlight, Sugababes and many more.
Anyone who remembers Eric Marienthal's work with Chick Corea's Elektric Band in the late '80s and early '90s knows how exciting an improviser he can be. This disc has its moments. Botti has an enjoyable spot on Stanley Turrentine's "Sugar," and "Love Don't Live Here" (one of the few tracks that isn't an instrumental) is a pleasant, if unremarkable, urban/adult contemporary item that features singer Deniece Williams. Also noteworthy is Lorber's funky "Hangin' on the Sidewalk," which finds Ford taking a gritty guitar solo.
Solo piano works, recorded live in Moscow Conservatory on April 18th, 2000. Russian-only release on the Long Arms label. Pieces include: 'Arica', 'Havana Man', 'Negro Hall', 'The Ecstasy', 'Missigono', 'Requiem For Wally'. "The following pieces appear without any editing of the performance. Large sections of these pieces are improvised and I have attempted to preserve the spontaneity of this special evening by presenting my first concert in Moscow exactly as it was played. I hope in some way my offering of this evenings music reflects the deep respect I hold for the great musical traditions of Russia and the Masters who have reached for the stars before me with their awesome genius."– Terry Riley.
Originally released on Medium Productions (Karn's joint venture with ex-Japan colleagues Steve Jansen and Richard Barbieri), this uniquely adventurous and evocative selection of tracks written and arranged between 1995 and 1999 was finally released in 2001. Each Eye A Path reveals Karn at his most intimate and unfettered, Steve Jansen (who mixed the album) adds some typically tasteful drum and percussion parts.