"The Kissing Gate" is the first compilation album by U.K. singer-songwriter Sam Brown. This album includes tracks from first two solo albums of the singer - "Stop!" and "April Moon". Great things have been predicted for British vocalist and keyboardist Sam Brown. Her debut album, Stop!, released in 1987, reached the Top Four on the British music charts, sold more than two-and-a-half million copies, and included two hit singles, "Stop" and "This Feeling." Brown, however, has failed to match the album's success with her subsequent releases April Moon, 43 Minutes, The Kissing Game, and Box. The daughter of classical vocalist Vicki Brown, Brown began her musical career at the age of 12 when she sang background vocals on the Small Faces' album 78 in the Shade…
Sam Most in two wonderful settings – a large group on half the record, then a smaller combo with David Schildkraut on tenor, Bob Dorough on piano, and Tommy Potter on bass! Sam plays clarinet throughout, but uses some of the phrasing he'd be more likely to employ with a saxophone – a practice that makes the album a great showcase for Most's really unique talents on his instrument. And although the title might make you think the whole thing's a bop rehash record, the arrangements are pretty darn inventive – and really help bring new life into tunes that include "Serpent's Tooth", "Celia", "Bluebird", "Strictly Confidential", and "In Walked Bud" – especially from Sam's solos, and the trumpet work of Doug Mettome.
Few novels are as loved as Penrod and Sam, Booth Tarkington’s warmhearted evocation of growing up in small-town America. This first talkie film version is a charmer, capturing the adventures, laughs and sorrows of the book. Best pals Penrod and Sam are leaders of a super-secret neighborhood society, the In-Or-In Boys Club. Troubles arise when a pompous prig tries to join the club and when the boys lose their clubhouse in a land sale.
Sweet flute work from the great Sam Most – a player who really shone brightly during his 50s recordings for Bethlehem Records – of which this is one of the best! Sam's got a mean, lean quality to his solos – a mode that rivals that of Frank Wess on the instrument at the time, and may well beat Herbie Mann – able to step lively on more boppish numbers, but step back into these soulful lines at just the right moments. The rest of the group has a tight feel too – modern, but a bit playful too – with Marty Flax on baritone, Barry Galbraith on guitar, Billy Triglia on piano, and Oscar Pettiford on bass. Titles include "Deed I Do", "Broadway", "Smiles", "Don't Worry Bout Me", "How Deep Is The Ocean", and "Tea For Two".