Monteux draws a brisk and clean performance from the orchestra. The rich and melodic symphony is presented with vitality. Sound is a plus factor, and an interesting portrait of the composer lends excellent display values. There are other versions, but this can compete strongly(The Billboard, Sept. 14, 1959)
The excellence of these two famous performances hasn't diminished a bit over time. George Szell's Beethoven Fifth exists in three versions: this one; another with the Cleveland Orchestra on Sony; and (finest of all) one with the Vienna Philharmonic live from the Salzburg Festival on Orfeo. Talk about an embarrassment of riches! It's really pointless to dwell on minute variations in interpretation or playing: all three recordings represent a surpassingly high level of achievement, from the taught opening and generously "con moto" Andante, right through the grim scherzo to the explosive finale. It's simply great Beethoven….
A top conductor of large orchestral works of the late nineteenth century, Rafael Kubelik was born near Prague in 1914. The son of violinist Jan Kubelik (1880-1940), he studied violin, piano, composition, and conducting at the Prague Conservatory. He made his debut before the Czech Philharmonic Orchestra at age 19, and in 1939 became the music director of the National Opera in Brno, Czechoslovakia. In 1941, he became the music director of the Czech Philharmonic Orchestra, a post he held until 1948. In 1948, with the establishment of a Communist dictatorship in Czechoslovakia, Kubelik left his homeland and became an exile for the next 40 years…
Vol. 2 in BIS' complete Sibelius Edition is given over the Finnish master's chamber music for strings and for strings and piano. Fifty years earlier, this release would've included only the "Voces intimae" string quartet. But BIS' 2007 release includes all four quartets and all four piano trios, plus 35 other works or substantial fragments lasting between 13 seconds to 32 minutes. One thing is instantly clear: Sibelius scholarship has made enormous strides since the mid-twentieth century.
With his seven symphonies the Finnish composer Jean Sibelius marks a high point in the symphonic repertoire of the 20th century. The music evokes the ghostliness of the Finnish landscape, carries an inner strength and depth and proves itself full of technical fi nesse that still poses a challenge for both conductors and performers. For Sibelius “a symphony is not a ‘composition’ in the ordinary sense. Rather, it is a declaration of faith at different stages of one’s life.”