Shm Sacd Iso

Wilhelm Furtwängler - Schubert: Sym. No. 8 (9) / Haydn: Sym. No. 88 (2011) {Single Layer SHM-SACD // ISO & HiRes FLAC} [RE-UP]

Franz Schubert: Symphony No. 8 (9) in C major D.944 "Great" / Joseph Haydn: Symphony No. 88
Berliner Philharmoniker / Wilhelm Furtwängler
SACD ISO (Single Layer/Mono): 3,05 GB | 24B/88,2kHz FLAC: 766 MB | Full Artwork: 80 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon, Universal Music LLC # UCGG-9019 | Country/Year: Japan 2011 (Germany 1951)
Genre: Classical | Style: Viennese School, Historical Recording

"SHM-SACD (Super High Material SACD) is the ultimate Super Audio CD that utilizes the materials and technologies that were developed for the SHM-CD to further enhance the audio-resolution. These discs are made with polycarbonate developed for the screen of the liquid crystal display. As it has a higher transparency, players can read the signal more faithfully. Also, it excels in fluidity, which enables you to cast a more accurate pit. What works wonders for a low resolution format such as CD should offer even greater sonic improvements in a real high resolution format such as SACD."
Wilhelm Furtwängler - Schubert: Symphony No. 8 (9) / Haydn: Symphony No. 88 (2011) {Single Layer SHM-SACD // ISO & HiRes FLAC}

Franz Schubert: Symphony No. 8 (9) in C major D.944 "Great" / Joseph Haydn: Symphony No. 88
Berliner Philharmoniker / Wilhelm Furtwängler
SACD ISO (Single Layer/Mono): 3,05 GB | 24B/88,2kHz FLAC: 766 MB | Full Artwork: 80 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon, Universal Music LLC # UCGG-9019 | Country/Year: Japan 2011 (Germany 1951)
Genre: Classical | Style: Viennese School, Historical Recording

"SHM-SACD (Super High Material SACD) is the ultimate Super Audio CD that utilizes the materials and technologies that were developed for the SHM-CD to further enhance the audio-resolution. These discs are made with polycarbonate developed for the screen of the liquid crystal display. As it has a higher transparency, players can read the signal more faithfully. Also, it excels in fluidity, which enables you to cast a more accurate pit. What works wonders for a low resolution format such as CD should offer even greater sonic improvements in a real high resolution format such as SACD."
Derek And The Dominos - Layla & Other Assorted Love Songs (1970) [Japanese Limited SHM-SACD 2016] PS3 ISO + Hi-Res FLAC

Derek And The Dominos - Layla & Other Assorted Love Songs (1970) [Japanese Limited SHM-SACD 2016]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 76:44 minutes | Scans included | 2,31 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,6 GB
Wishbone Ash - Argus (1972/2013) {2016, SHM-SACD, Remastered, Geffen UIGY-15033} [SACD ISO + FLAC 24/88]

Wishbone Ash - Argus (1972/2013) {2016, SHM-SACD, Remastered}
PS3 Rip | ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans (JPG, 300 dpi) | 3,42 Gb | 5% Recovery
FLAC (Tracks), 24bit/88,2 kHz (converted with foobar2000) | Full Scans (JPG, 300 dpi) | 1,61 Gb | 5% Recovery
Progressive Rock, Hard Rock, Classic Rock | 01:20:44 | © 2016 Geffen Records #UIGY-15033

If Wishbone Ash can be considered a group who dabbled in the main strains of early-'70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own…
The Police - Syncronicity (1983/2013) {2016, Japanese SHM-SACD, Remastered, UIGY-15031} [SACD ISO + FLAC 24/88]

The Police - Syncronicity (1983/2013) {2016, Japanese SHM-SACD, Remastered, UIGY-15031}
PS3 Rip | ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans (JPG, 300 dpi) | 1,89 Gb | 5% Recovery
FLAC (Tracks), 24bit/88,2 kHz (converted with foobar2000) | Full Scans (JPG, 300 dpi) | 901 Mb | 5% Recovery
New Wave, Pop Rock | 00:48:28 | © 2016 A&M Records #UIGY-15031

The Police were back in 1983 with Synchronicity, which hit No. 1 everywhere and remained on top a phenomenal 17 weeks in the U.S. The gold, Grammy-winning "Every Breath You Take" was No. 1 for eight weeks. "Wrapped Around Your Finger" was Top 10 and both "King Of Pain" and "Synchronicity II" became Top 20 hits. The quadruple platinum album took home a Grammy as well. "I do my best work when I'm in pain and turmoil," Sting told Rolling Stone. And indeed, the dissolution of his first marriage produced some of his best work yet, including "King of Pain" and the stalker's anthem "Every Breath You Take." There was pain and turmoil in the band, too — it would be the Police's last album."
Blind Faith - Blind Faith (1969/2013) {2016, Japanese SHM-SACD, UIGY-15029} [SACD ISO + FLAC 24/88]

Blind Faith - Blind Faith (1969/2013) {2016, Japanese SHM-SACD, UIGY-15029}
PS3 Rip | ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans (JPG, 300 dpi) | 1,78 Gb | 5% Recovery
FLAC (Tracks), 24bit/88,2 kHz (converted with foobar2000) | Full Scans (JPG, 300 dpi) | 899 Mb | 5% Recovery
Classic Rock, Blues Rock | 00:42:05 | © 2016 Polydor #UIGY-15029

Blind Faith was cursed at its very inception by being billed as a supergroup. This was truly a pity, because for all the classic beauty of its only recording, Blind Faith was a band that never had a legitimate opportunity to come together as a performing ensemble. Hyped to the hilt and rushed into a massive, chaotic tour, the band fell apart after its final American concerts when Eric Clapton packed it in to join Delaney & Bonnie's band. Despite the hurried and mysterious nature of the recording of the album Blind Faith, it produced two classic hits "Can't Find My Way Home" and "Presence of the Lord".
Dire Straits - Japanese SHM-SACD Collection (6x SACD, 1978-1985) [PS3 ISO + FLAC] Combined RE-UP

Dire Straits - Japanese SHM-SACD Collection (6x SACD, 1978-1985)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans included | 11,6 GB
FLAC (tracks) 24 bit/88,2 kHz | 2.0 Stereo | 301:33 minutes | Scans included | 6,05 GB
Black Sabbath - Japanese SHM-SACD Collection (6x SACD, 1970-1980) [PS3 ISO + FLAC] {Combined RE-UP}

Black Sabbath - Japanese SHM-SACD Collection (6x SACD, 1970-1980)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | Full Scans included | 7,34 GB
FLAC (tracks) 24 bit/88,2 kHz | 2.0 Stereo | 239:40 minutes | Scans included | 4,9 GB
Bavarian Radio Symphony Orchestra, Mariss Jansons - Beethoven: Symphony No.9 (2010) [SACD ISO+HiRes FLAC]

Bavarian Radio Symphony Orchestra, Mariss Jansons - Beethoven: Symphony No.9 (2010)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Covers | 3.01GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Covers | 1.16GB + 5% Recovery

Hollow pathos is not his thing. From an artist like Mariss Jansons Friedrich Schiller’s Ode: “An die Freude” must receive a far deeper significance, which also fully encompasses the doubt and profound hope embodied in this text. And thus, in Jansons’s recording of the Ninth Symphony, the choral finale does not degenerate to mere superficial orgy of jubilation, but rather becomes a delicately balanced, wisely developed drama. On October 27, 2007, the Symphonieorchester des Bayerischen Rundfunks played Beethoven’s Ninth in the presence of the Pope in the Vatican. The recording of this memorable concert is now being released in the highest audiophile recording quality as a multi-channel SACD.
Beoga - Live At Stockfisch Studio (2010, Stockfisch # SFR 357.4053.2) {Hybrid-SACD // ISO} [RE-UP]

Beoga - Live At Stockfisch Studio
SACD ISO (stereo only): 2,22 GB | Full Artwork
Label/Cat#: Stockfisch Records # SFR 357.4053.2 | Country/Year: Germany 2010 | 5% Recovery Info
Genre: Rock, Folk, Jazz | Style: Irish Folk, Contemporary Acoustic

"…Stockfisch has reproduced the live feel of this extraordinary group with great precision. The separation of the instrumentation (especially between guitar and violin, and accordions) eliminates the occasional dint of live recording. The balance of the sound seems proportionate. Vocals never impinge on the music, and vice versa. Live At Stockfisch Studio is a towering achievement." ~audiophile-audition