Bridge of Spies is a 2015 American historical drama-thriller film directed by Steven Spielberg from a screenplay written by Matt Charman, Ethan Coen and Joel Coen. The film stars Tom Hanks, Mark Rylance, Amy Ryan, and Alan Alda. Based on the 1960 U-2 incident during the Cold War, the film tells the story of lawyer James B. Donovan who is entrusted with negotiating the release of Francis Gary Powers—a pilot whose U-2 spy plane was shot down over the Soviet Union—in exchange for Rudolf Abel, a captive Soviet KGB spy held under the custody of the United States. Frequent Spielberg collaborator, John Williams, was originally announced to compose the film's score. However, Williams had to drop out of production due to a health issue. Thomas Newman was then contacted by Spielberg to replace Williams, marking Spielberg's first film without Williams' music since 1985's The Color Purple, which was scored by Quincy Jones. Hollywood Records released the film's soundtrack on October 16, 2015. All music composed by Thomas Newman.
In the year 2154, two classes of people exist: the very wealthy, who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined planet. The people of Earth are desperate to escape the crime and poverty that is now rampant throughout the land. The only man with the chance to bring equality to these worlds is Max (Matt Damon), an ordinary guy in desperate need to get to Elysium. With his life hanging in the balance, he reluctantly takes on a dangerous mission – one that pits him against Elysium's Secretary Delacourt (Jodie Foster) and her hard-line forces – but if he succeeds, he could save not only his own life, but millions of people on Earth as well. Written and directed by Neill Blomkamp, the creator of the modern sci-fi classic, District 9. Newcomer Ryan Amon provides an aggressive and exciting score for orchestra and electronics.
Monsigny and Sedaine's brilliant opera-cotnique Le Deserteur, was an immediate and lasting success for its melodic charms and musical variety, its blend of comedy with moments of great sentiment and pathos, and its intellectual radicalism prefiguring the humanitarian ideas of the 19th century Romantics. This recording features the musical items only from this forerunner of the 'rescue' opera, in which the heroine Louise extricates her fiance Alexis from prison and a death sentence. A written explanation of the action between the airs is provided in the booklet