'Afrolailo' is full of gay and combative rumba songs, which play comfortably between rumba, reggae and flamenco, between Afro styles and Latin music, between Cuba and hip-hop. In this adventure Marinah has been accompanied by a lot of colleagues and great musicians who already accompanied her in Ojos de Brujo, so we find Maxwell (beatbox), Javi Martín (bass), Carlos Sarduy (trumpet, piano, production) and Susana Medina (Chorus and flamenco dance) along with other collaborations such as Chicuelo (flamenco guitar), Muchacho Serviole (guitar rumbera), David Dominguez (flamenco percussion), Frank Durán (drums), Dany Noel , Julio Nahinim Carbonell (saxo) … Between the vocal collaborations, we also find diverse artistic aspects, among which the Mari de Chambao, the young Tears of Blood and Arianna stand out.
An amazing two-fer – filled with rare spiritual sounds from Michael White! Spirit Dance is one of the killer albums that White cut for Impulse Records in the early 70 – a sweet set of spiritual jazz that took his instrument to a whole new level! Normally, the violin isn't an instrument we love in jazz, but White really transforms it here – playing it with a stretched-out, spiritual sound that's almost like a saxophone – really hitting a fresh sound that's mighty nice. Other instrumentation includes a nicely organic blend of piano from Ed Kelly, bass from Ray Drummond, and percussion and flutes from Baba Omson – often building in the way you'd get with a Pharoah Sanders album, but with a gentler, more personal sound.
Recorded 1955, 1959, 1962. This set presents five complete albums from the initial years of Lalo Schifrin's career as a leader: "Lalo=Brilliance: The Piano of Lalo Schifrin" (Roulette SR 52088); "Bossa Nova: New Brazilian Jazz (Audio Fidelity AFLP-1981)"; "Insensatez [aka Piano, Strings & Bossa Nova] (MGM SE-4110); "Piano Español: The Magic Touch of Lalo Schifrin, His Piano & Orchestra" (Tico LP-1070), and "Rendez-Vous Dansant a Copacabana" (Vogue LD-236). Born in Argentina, Schifrin was gaining fame as a member and arranger of Dizzy Gillespie's Quintet and Big Band during these formative years. He is backed on these albums by such important guitarists as Jim Hall and Jimmy Raney, plus the brilliant saxophonist Leo Wright from Gillespie's formation.
An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.