With this new release the Estonian Philharmonic Chamber Choir under Daniel Reuss pay tribute to Max Reger (1873-1916) and Rudolf Tobias (1873-1918). In his collection of sacred and secular songs, Reger connects them with nature and its rhythm. Rudolf Tobias uses more secular texts for his songs. Two of the most famous ones – “Eks teie tea” and “Otsekui hirv” – are included on this release and offer a stunning introduction to his music.
Veteran Austrian pianist Rudolf Buchbinder has turned in mid-career to live recordings, believing that the live situation makes possible a greater degree of spontaneity. In solo repertoire this has sometimes led him to follow his impulses into bold, unexpected interpretations. Here, in Beethoven's five piano concertos, there's less of an opportunity to color outside of the lines, even though Buchbinder serves as his own conductor (a tall order in Beethoven in itself). Yet his approach still works very well. He may deserve credit right off the bat for getting the sometimes recalcitrant Vienna Philharmonic Orchestra to go along with what he's doing; the performances have a satisfying unity between soloist and orchestra.
Known for his intense, insightful interpretations of the classical repertoire, Rudolf Serkin was one of the great American pianists of the mid-century, and seldom was he more in his element than when playing Mozart. This new six-CD release unites for the first time fourteen Mozart concerto recordings made at the height of his career, between 1951 and 1977. His is not a raised-little-finger type of Mozart; it is rugged, has contour, and is a welcome relief from the pretty-pretty conceptions heard only too often , wrote Gramophone of a 1955 recording with the Columbia Symphony Orchestra and Alexander Schneider. With the same orchestra, Serkin is ideally matched (AllMusic Guide) with conductor George Szell; elsewhere he partners Eugene Ormandy and the Philadelphia Orchestra, as well as Pablo Casals at the cellist-conductor s festival in Perpignan for No. 22 ( exultant and miraculous BBC Music Magazine). Recordings from the Marlboro Festival include the Concerto No. 10 for two pianos with his then-teenage son Peter Serkin.
Live performance by Rome Opera House Ballet on January 8th, 1982 with a cast headed by Rudolf Nureyev, Ghislaine Thesmar, Michael Denard, Lucia Colognato, and Alfredo Raierre. Choreography, sets and costumes by Pierre Lacotte. Conducted by Alberto Ventura. Bonuses: interviews with Mrs. Vittoria Ottolenghi (1984), Pierre Lacotte (2009).
After decades of work on Beethovens original scores, the Austrian pianist Rudolf Buchbinder offers a definitive interpretation of all Beethovens piano concertos in this series of live recordings of his ecstatically acclaimed performances in the Musikverein Vienna from May 2011. Buchbinder conducts the Vienna Philharmonic from the keyboard and achieves a rare degree of tension and chamber-like concentration. Rudolf Buchbinder is firmly established as one of the most important pianists on the international scene, he is a regular guest of renowned orchestras such as the Berlin Philharmonic, Vienna Philharmonic, New York Philharmonic, Orchestre National de France, London Philharmonic, National Symphony, and the Philadelphia Orchestra.
Falling For Ascension is the latest album from Germany-based composer and Touch Guitarist, Markus Reuter. Since the late 1990s Markus Reuter has steadily made a name for himself as a formidable player, a gifted improviser and a a composer for both rock and classical music ensembles. As one third of Stick Men, since 2010 Reuter has toured extensively across Europe, Asia, Australia, and in North and South America alongside with King Crimson’s Tony Levin and Pat Mastelotto. In 2013 his large-scale composition for orchestra, Todmorden 513 received its world premiere performed by the Colorado Chamber Orchestra…