Rudolf Serkin's 1964 recording of Beethoven's Piano Concerto in C minor is surely among the greatest recordings of the work ever made, and certainly his finest performance of the work. The energy and enthusiasm and even passion he brings to Concerto in C minor is overwhelming, and indeed, it overwhelms Bernstein and the New York Philharmonic, who accompany Serkin with the sort of commitment that only a conductor and orchestra give to soloists when they are deeply inspired. But while Serkin's 1962 recording of Beethoven's Piano Concerto in E flat major is also surely among the greatest recordings of the work ever made, it is not quite Serkin's finest recording of the work.
Major documents from Rudolf Kempe's later years at the head of the Munich Philharmonic. Beethoven's Fifth, that masterpiece of emotional tension, and his Sixth, all vivid depiction of nature, are both readings of maturity and perfection.
"…Each gesture, each interpretive nuance – and there are numerous reminders that Innig’s performance is personal and distinct – serves to enhance Messiaen’s faith. So one cannot escape the devout mystery and probity that Rudolf Innig brings in such full measure to the Livre du Saint Sacrement. This performance promises to invigorate the soul." (Fanfare)