The viola was Hindemith's instrument (though he could play almost any), and he wrote some of his most expressive chamber music for it. This two-disc set includes all four of Hindemith's sonatas for solo violin and the three for viola and piano. I prefer the wildness of Hindemith's earlier music to the sometimes arid calm of his later music, so listeners like myself who like Hindemith can have a feast here as most of these are early works. They are played with energy and passion by an outstanding violist and a fine pianist.
Robert Walter calls his instrumental heavy organ music "soul-jazz," but that ignores the strong funk element ever-present on all of his albums. This one is no exception, as the opening track, "Adelita," charges out with Walter's Jimmy Smith/Jack McDuff-styled keyboards, driving saxophonist Tim Green into a roaring solo. For this recording, made live in a New Orleans studio with crisp sound, Walter chose top musicians to help the vibe, such as drummers Johnny Vidacovich and Galactic's Stanton Moore, along with bassist James Singleton. The music is baked in the New Orleans groove, with doses of the Meters, Galactic, and Dr. John mixed in. Walter pushes the sonic envelope by shifting into slightly experimental waters during parts of "(Smells Like) Dad's Drunk Again," but he never strays too far afield.