This box is the definite overview of Georgie Fame's Columbia recordings, gathering all 46 tracks from Fame's four albums for the UK Columbia recordings, with no less than sixty bonus tracks from non lp singles, non lp EP tracks, album outtakes, BBC sessions, a 1963 demo session and stray live recordings. Several tracks included have previously been issued only on limited Japanese editions of these Fame albums. Georgie Fame is a seminal figure in British popular music who helped to introduce the sounds of rhythm and blues, jazz, soul, ska and other ‘black’ music styles to a UK audience in the 1960s.
Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1969 and 1975 on the Philips label, together on one CD and remastered from the original stereo tapes for Vocalion's trademark crystal-clear sound…
Georgie Fame's swinging, surprisingly credible blend of jazz and American R&B earned him a substantial following in his native U.K., where he scored three number one singles during the '60s. Fame played piano and organ in addition to singing, and was influenced by the likes of Mose Allison, Booker T. & the MG's, and Louis Jordan. Early in his career, he also peppered his repertoire with Jamaican ska and bluebeat tunes, helping to popularize that genre in England; during his later years, he was one of the few jazz singers of any stripe to take an interest in the vanishing art of vocalese, and earned much general respect from jazz critics on both sides of the Atlantic.
Nancy Wilson's not the first name in bluesy jazz (check out Dinah Washington and Joe Williams for that), but she usually can enliven the form with her sophisticated and sultry style. That's made clear on her rendition of "Stormy Monday Blues," where she eschews blues clichés in favor of a husky airiness, at once referencing a lowdown mood and infusing it with a sense of buoyancy. This split is nicely essayed on Capitol's Blues and Jazz Sessions, as half the tracks ooze with Wilson's cocktail blues tone and the other find the jazz-pop chanteuse in a summery and swinging mood. Ranging from the big band blues of "I've Got Your Number" to the lilting bossa nova "Wave," Wilson handles all the varying dynamics and musical settings with aplomb. Featuring cuts from her '60s prime with the likes of Cannonball Adderley, Oliver Nelson, George Shearing, Gerald Wilson, and a host of top sidemen, this best-of disc offers a fine, off-the-beaten-path overview of Wilson's Capitol heyday.
Putumayo's newest release, Rhythm & Blues, features first generation soul legends and rising stars of the retro R&B revival. Scheduled for release on February 9th, it's the label's first album exclusively dedicated to the genre. The 60s and 70s rhythm and blues of The Four Tops, Otis Redding and The Supremes, among others, became a global phenomenon and has inspired a new generation of artists who are reviving the classic soul sound. Reaching mainstream popularity in the 1950s, rhythm and blues sprung from the rugged roots of blues and gospel music, pairing soulful vocals with pop sensibilities. While in recent years R&B has become more closely associated with rap and hip hop, legends and young artists are recreating the sound and mood of the genre's glory days.
Collection of performances by British and American blues artists on BBC programmes such as The Beat Room, A Whole Scene Going, The Old Grey Whistle Test and The Late Show.Includes the seminal slide guitar of Son House, the British R&B of the Kinks, the unmistakable electric sound of BB King and Buddy Guy, Eric Clapton and John Lee Hooker, as well as less familiar material from the likes of Delaney and Bonnie, Freddie King and Long John Baldry.