Requiem In re Minore K 626

Nikolaus Harnoncourt, Concientus Musicus Wien, Arnold Schoenberg Chor - Mozart: Requiem in D minor, K.626 (2004) (Repost)

Nikolaus Harnoncourt, Concientus Musicus Wien, Arnold Schoenberg Chor - Mozart: Requiem in D minor, K.626 (2004)
EAC | FLAC (image+.cue, log) | Covers Included | 50:21 | 228 MB
Genre: Classical, Sacred, Choral | Label: Deutsche Harmonia Mundi | Catalog: B00022UO9I

Beethoven called Mozart's Requiem "wild and terrible", and that's what we get in Harnoncourt's new recording. Ominous dread hangs from every note of the dark opening measures, the Rex tremendae and Confutatis are driven with terrifying strength, and the supplications of the Lacrimosa, with their weeping stabbings of the orchestra, are freighted with emotional power. The Tuba mirum duet of bass soloist and trombone has a beauty almost never achieved in other readings. Nor does Harnoncourt overstep the stylistic boundaries of this classical-era work; rather, the intensity is heightened for being in the idiom of its time.

Barbara Bolzan - Requiem in Re Minore  eBooks & eLearning

Posted by SSCN1926 at Nov. 18, 2014
Barbara Bolzan - Requiem in Re Minore

Barbara Bolzan - Requiem in Re Minore
Italian | Caputo Edizioni | 2011 | EPUB | Pages 243 | ASIN: B006AX98LI | 1.05 Mb
Teodor Currentzis, MusicAeterna, The New Siberian Singers - Mozart. Requiem in D Minor, K.626 (2011)

Teodor Currentzis, MusicAeterna - Mozart. Requiem in D Minor, K.626 (2011)
FLAC (tracks) 24-bit/48 kHz | Time - 46:45 minutes | 509 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

This release stands out from among both the dozens or hundreds of available recordings of Mozart's Requiem in D minor, K. 626, and from among the recordings in the catalog of France's Alpha label…
Laurence Equilbey, Insula Orchestra - Mozart: Requiem in D Minor, K.626 (2014) [Official Digital Download]

Laurence Equilbey, Insula Orchestra - Mozart: Requiem in D Minor, K.626 (2014)
FLAC (tracks) 24-bit/44,1 kHz | Time - 48:44 minutes | 483 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Laurence Equilbey's 2014 Naïve release of Wolfgang Amadeus Mozart's unfinished Requiem in D minor belongs to the category of historically informed performances, both in the actual execution and in the intentions of the performance.
Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014) [24-bit/96kHz]

Masaaki Suzuki, Bach Collegium Japan - Mozart: Requiem in D minor, K.626 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 74:35 minutes | 1,35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Since its creation in 1791, Mozart’s Requiem has become one of the truly iconic works in the history of music. For this recording of the work, Masaaki Suzuki and the Bach Collegium Japan commissioned a new performing edition. Masato Suzuki, himself a member of the BCJ and the son of Masaaki, has based his completion on Eybler’s and Süßmayr’s work, explaining his procedure in the liner notes to the disc. The recording was made at the Shoin Chapel in Kobe, where the team has previously recorded their complete cycle of Bach’s church cantatas. A stellar cast of soloists is headed by soprano Carolyn Sampson, who also shines in the famous soprano aria Laudate Dominum – one of the highlights of Vesperae solennes de confessore which conclude the disc.
Mozart - Requiem in D minor, K. 626 (Daniel Barenboim, Orchestre et Choeurs de l'Opera de Paris) [1985]

Mozart - Requiem in D minor, K. 626 (Daniel Barenboim, Orchestre et Choeurs de l'Opera de Paris;
Kathleen Battle, Ann Murray, David Rendall, Matti Salminen) [1985]

EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 238 MB
Classical | Label: EMI Classics | Catalog Number: CDC 7 47342 2 | TT: 55:39

Thank you Kathleen Battle for making another masterful recording.Mozart's requiem is an excellent work,and this particular version is well recorded too.I just wish mozart wrote more music for the soprano to sing in his requiem.I must say that Verdi's requiem is the greatest ever composed,but thus far of all the requiems i've listened to,mozart's requiem must come in second.Mozart,you go boy!!Kathleen,you go girl!!!! Ps,requiems should be listened to especially on rainy evenings & nights with some introspective thoughts.Perhaps,mozart is now composing an anti-requiem for the afterlife..
W.A. Mozart - Requiem in D minor K.626 (Herbert Von Karajan 1975) [2002] (PS3 SACD rip)

W.A. Mozart - Requiem in D minor K.626 (Herbert Von Karajan 1975) [2002] (PS3 SACD rip)
SACD ISO Image = 3.86 GB | 5% Recovery | Scans PDF (800 dpi): 11.35 MB
Classical | Label: Deutsche Grammophon | Catalog Number: 471 639-2 | DST 1bit-2822,4kHz 2.0, 5.1

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness.
W.A. Mozart - Requiem in D minor K.626 (Nikolaus Harnoncourt) [2004] (PS3 SACD rip)

W.A. Mozart - Requiem in D minor K.626 (Nikolaus Harnoncourt) [2004] (PS3 SACD rip)
SACD ISO Image = 2.81 GB | Scans PDF (800 dpi): 58.1 MB | 5% Recovery
Classical | Label: BMG | Catalog Number: 82876 58705 2RE1 | DST 1bit-2822,4kHz 2.0, 5.0

Beethoven called Mozart's Requiem "wild and terrible," and that's what we get in Harnoncourt's new recording. Ominous dread hangs from every note of the dark opening measures, the Rex tremendae and Confutatis are driven with terrifying strength, and the supplications of the Lacrimosa, with their weeping stabbings of the orchestra, are freighted with emotional power. The Tuba mirum duet of bass soloist and trombone has a beauty almost never achieved in other readings. Nor does Harnoncourt overstep the stylistic boundaries of this classical-era work; rather, the intensity is heightened for being in the idiom of its time. Call it a Romantic reading of a Classical piece that looks forward to a more unbuttoned era.
W.A. Mozart - Requiem in D minor K.626 (Herbert Von Karajan 1975) [2002] (Redbook Layer Hybrid SACD rip)

W.A. Mozart - Requiem in D minor K.626 (Herbert Von Karajan 1975) [2002] (Redbook Layer Hybrid SACD rip)
EAC Rip | FLAC, IMG+CUE, LOG | 241 MB | Scans PDF (800 dpi): 11.35 MB
Classical | Label: Deutsche Grammophon | Catalog Number: 471 639-2

Between 1961 and 1986, Herbert von Karajan made three recordings of the Mozart Requiem for Deutsche Grammophon, with little change in his conception of the piece over the years. This recording, from 1975, is, on balance, the best of them. The approach is Romantic, broad, and sustained, marked by a thoroughly homogenized blend of chorus and orchestra, a remarkable richness of tone, striking power, and an almost marmoreal polish. Karajan viewed the Requiem as idealized church music rather than a confessional statement awash in operatic expressiveness…
Ted Libbey
W.A. Mozart - Requiem in D minor K.626 (Nikolaus Harnoncourt) [2004] (Redbook Layer Hybrid SACD rip)

W.A. Mozart - Requiem in D minor K.626 (Nikolaus Harnoncourt) [2004] (Redbook Layer Hybrid SACD rip)
EAC Rip | FLAC, IMG+CUE, LOG | 244 MB | Scans PDF (800 dpi): 22.6 MB
Classical | Label: BMG | Catalog Number: 82876 58705 2RE1

Beethoven called Mozart's Requiem "wild and terrible," and that's what we get in Harnoncourt's new recording. Ominous dread hangs from every note of the dark opening measures, the Rex tremendae and Confutatis are driven with terrifying strength, and the supplications of the Lacrimosa, with their weeping stabbings of the orchestra, are freighted with emotional power.
–Dan Davis