Remaster

Bobby Hutcherson - Knucklebean (1977) {2013 Japanese BNLA Series 24-bit Remaster TOCJ-50563}

Bobby Hutcherson - Knucklebean (1977) {2013 Japanese BNLA Series 24-bit Remaster TOCJ-50563}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 201 Mb | MP3 @320 -> 77 Mb
Full Artwork @ 600 dpi (png) -> 194 Mb | 5% repair rar | 24bit remaster
© 1977, 2013 Blue Note / EMI Music Japan | TOCJ-50563
Jazz / Post Bop / Soul Jazz / Vibes

Beautiful late Blue Note work from Bobby Hutcherson – laidback, warm, electric, and with a mixture of CTI funk and some of the more lyrical soul jazz work of his years with Harold Land! Part of the credit for the set should go to George Cables – who plays both acoustic and electric keys on the record, and who gives the album a sweetly dancing feel that really warms things up wonderfully – and all other players are wonderful too, including drummer Eddie Marshall, bassist James Leary, and horn players Freddie Hubbard, Hadley Caliman, and Manny Boyd. Includes a great remake of "Little B's Poem", the mellow groover "Why Not", and the cuts "Til Then", "Knucklebean", and "So Far So Good".
Bobby Hutcherson - Dialogue (1965) {Blue Note Japan SHM-CD UCCQ-5114 rel 2015} (24-192 remaster)

Bobby Hutcherson - Dialogue (1965) {Blue Note Japan SHM-CD UCCQ-5114 rel 2015} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 287 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 600 dpi (png) -> 150 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1965, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5114
Jazz / Hard Bop / Vibes

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Coming fresh on the heels of his groundbreaking work with Eric Dolphy, Bobby Hutcherson's debut album is a masterpiece of "new thing" avant-garde jazz, not really free but way beyond standard hard bop. Dialogue boasts an all-star lineup of hot young post-boppers – trumpeter Freddie Hubbard, woodwind player Sam Rivers, pianist Andrew Hill, bassist Richard Davis, and drummer Joe Chambers – and a set of imaginative compositions by either Hill or Chambers that frequently push the ensemble into uncharted territory.
Lee Morgan - Search For The New Land (1964) {Blue Note Japan SHM-CD UCCQ-5106 rel 2015} (24-192 remaster)

Lee Morgan - Search For The New Land (1964) {Blue Note Japan SHM-CD UCCQ-5106 rel 2015} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 281 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (png) -> 168 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1964, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5106
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A brilliant album that proves that even at the height of his success, Lee Morgan was one of the freest thinkers on Blue Note – always coming up with fresh ideas that continued to grow his talents! The first cut on the album is keep roof of that fact – the title track "Search For The New Land" – a beautiful 16 minute exploration of modal jazz themes, with an unusual stop/start device as a means of ushering solos by different bandmates – including Wayne Shorter on tenor, Grant Green on guitar, and Herbie Hancock on piano!
The Three Sounds - Black Orchid (1962) {Blue Note Japan SHM-CD UCCQ-5104 rel 2015} (24-192 remaster)

The Three Sounds - Black Orchid (1962) {Blue Note Japan SHM-CD UCCQ-5104 rel 2015} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 456 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 600 dpi (png) -> 246 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1962, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5104
Jazz / Post Bebop / Soul Jazz / Hard Bop / Piano Trio

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Between 1958 and 1962, the Three Sounds were one of the most prolific artists on Blue Note, recording over ten albums worth of material during those four years. During all that time, the group never changed their style much, concentrating on lightly swinging, lightly soulful mainstream jazz that balanced jazz and pop standards with bluesy originals. As time progressed, they veered closer to soul-jazz, but each of their records sounded quite similiar and were equally satisfying. Black Orchid, their last album for Blue Note in the early '60s (they would rejoin the label in another four years), was no exception to the rule.
Frank Zappa - Cruising With Ruben & The Jets (1968) + Uncle Meat (1969) + FZ Ryko Catalog {1995 Ryko Remaster Complete Series}

Frank Zappa - Cruising With Ruben & The Jets (1968) + Uncle Meat (1969) + FZ Ryko Catalog {1995 Ryko Remaster Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.01 Gb | MP3 @320 -> 386 Mb
Full Artwork @ 600 dpi (tiff) -> 1.51 Gb | 5% repair rar
© 1995 Rykodisc / The Zappa Family Trust | RCD 10505 / RCD 10506~7
Rock / Experimental Rock / Doo Wop

Frank Zappa loved '50s doo wop music. He grew up with it, collected it, and it was the first kind of pop music he wrote (like "Memories of El Monte," recorded by the Penguins in 1962). Cruising With Ruben & the Jets, the Mothers of Invention's fourth LP, is a collection of such music, all Zappa originals (some co-written with MOI singer Ray Collins). To the unexperienced, songs like "Cheap Thrills," "Deseri," and "Jelly Roll Gum Drop" can sound like an average doo wop song.
Miles Davis - Live Around The World (1988-91) {2002 Warner Remaster}

Miles Davis - Live Around The World (1988-91) {2002 Warner Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 427 Mb | MP3 @320 -> 160 Mb
Full Artwork @ 300 dpi (png) -> 47 Mb
© 2002 Warner Bros. | 81227 3612-2
Jazz / Contemporary Jazz / Fusion / Trumpet


Miles Davis - Live Around The World (1988-91) {2002 Warner Remaster}

From his early years mastering bebop and jazz standards, through his cool, modal, post-bop, electric and funk periods, there was always a strong sense of direction and a singular voice in the middle of the fray. That essence remained through Davis' final years; he still offered beautiful songs, wisely chosen and intelligently arranged. Miles traditionalists will appreciate the first track here, in which he breathes new life into "In A Silent Way." That quickly leads into "Intruder," a blowing vehicle for the venerable and impressive saxophonist Kenny Garrett. Garrett and bassist Richard Patterson proceed to go crazy on the frenetically funky "Wrinkle." Tunes like "New Blues" and "Tutu" reveal the sophistication of the master himself as a composer, as well as his finesse on trumpet. Another standout player here is the insanely expressive Foley, sounding like Jimi Hendrix, only funkier (and on bass).

2002 remastered reissue of 1996 live release featuring material recorded on two tours from 1985-91. Includes Kenny Garrett & Foley & Adam Holzman. The closing track, 'Hannibal', comes from the very last performance of Davis' life.

Lee Morgan - The Cooker (1957) {2006 Rudy Van Gelder Remaster}  Music

Posted by ruskaval at Jan. 1, 2010
Lee Morgan - The Cooker (1957) {2006 Rudy Van Gelder Remaster}

Lee Morgan - The Cooker (1957) {2006 Rudy Van Gelder Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 336 Mb | MP3 @320 -> 105 Mb
Full Artwork @ 300 dpi (png) -> 60 Mb
© 2006 EMI / Blue Note | 0946 3 62643 2 5 | 24-bit remaster
Jazz / Hard Bop / Bop / Trumpet


Lee Morgan - The Cooker (1957) {2006 Rudy Van Gelder Remaster}

Lee Morgan was a tender 19-year-old when he recorded 1957's THE COOKER for Blue Note. While Morgan wouldn't truly hit his stride until a few years after this release, his duties as leader here are mighty impressive, nonetheless. A stellar personnel line-up that includes drummer Philly Joe Jones, bassist Paul Chambers, pianist Bobby Timmons, and baritone saxophonist Pepper Adams keeps the musicianship at a remarkably high caliber, and the ensemble's performance on standards like "A Night in Tunisia" and "Just One of Those Things" sizzle, as do their takes on Morgan's two originals. THE COOKER isn't a landmark release, but it is a very solid hard-bop outing that showcases dynamic group chemistry and the formative first steps of Morgan's dazzling trumpet chops.
Lou Donaldson - Alligator Bogaloo (1967) {Blue Note Japan SHM-CD UCCQ-5074 rel 2014} (24-192 remaster)

Lou Donaldson - Alligator Bogaloo (1967) {Blue Note Japan SHM-CD UCCQ-5074 rel 2014} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 212 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 600 dpi (png) -> 235 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5074
Jazz / Soul Jazz / Saxophone

Features SHM-CD format and the latest 24bit 192kHz remastering. Alligator Bogaloo is one example of Lou Donaldson's successful combinations of hard bop and soul-jazz. Of the six tunes, three are Donaldson originals, including the title hit. The excellent band, consisting of Melvin Lastin, Sr. on cornet, George Benson on guitar, Lonnie Smith on organ, and Leo Morris on drums, mixes laid-back vamps beneath driving hard bop charts. As the '60s turned into the '70s, Donaldson began shaving off hard bop invention for a more radio-friendly and 45 rpm length, leaving soulful – yet monotonous – vamping. At that point, Donaldson's material suffered from a lack of originality. That's not the case on Alligator Bogaloo.
Lonnie Smith - Turning Point (1969) {Blue Note Japan SHM-CD UCCQ-5127 rel 2014} (24-192 remaster)

Lonnie Smith - Turning Point (1969) {Blue Note Japan SHM-CD UCCQ-5127 rel 2014} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 237 Mb | MP3 @320 -> 86 Mb
Full Artwork @ 600 dpi (png) -> 168 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1969, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5127
Jazz / Soul Jazz / Post Bop / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A stone killer from organist Lonnie Smith – one of his completely cooking early albums for Blue Note, and a hard-burner all the way through! Smith's working here with a really great group that includes Idris Muhammad on drums and Melvin Sparks on guitar – both of whom give the album a really heavy bottom, and almost make the set feel like one of those classic Prestige jammers from the same time.
Bobby Hutcherson - Linger Lane (1975) {2012 Japanese BNLA Series 24-bit Remaster TOCJ-50527}

Bobby Hutcherson - Linger Lane (1975) {2012 Japanese BNLA Series 24-bit Remaster TOCJ-50527}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 75 Mb
Full Artwork @ 600 dpi (png) -> 187 Mb | 5% repair rar | 24bit remaster
© 1975, 2012 Blue Note / EMI Music Japan | TOCJ-50527
Jazz / Post Bop / Vibes

A beautiful later Blue Note album from vibist Bobby Hutcherson – a set recorded after his famous association with Harold Land, but with a groove that's wonderfully soulful in a whole different way! Bobby plays marimbas instead of vibes this time around, and he's working with his own arrangements for a slightly larger group – one that has some sweet fusion overtones, and these wonderful mellow funk inflections – so that even the mellow cuts have this warmly glowing, ultra-soulful sound that's mighty nice – a bit like some of the work from Gene Harris around the same time.