Features 24 bit remastering and comes with a mini-description. Recorded live at the 1971 Montreux Jazz Festival, the blistering Mongo at Montreux captures Mongo Santamaria in the absolute prime of his career, embracing all facets of his expansive musical vision for a set that is far more than the sum of its parts. Spanning from soulful Latin boogaloo grooves like "Come Candela" to psychedelic jazz renditions of pop hits like the Temptations' "Cloud Nine" to straight-up funk excursions like "Climax," Mongo at Montreux is relentlessly energetic music genetically engineered for dancing – most impressive of all is "Conversation in Drums," a virtual primer in Latin percussion.
Ask the Ages is Sonny Sharrock's masterpiece, and sadly it was also the last album he would record before his premature death in 1994. It's the most challenging jazz work he recorded as a leader, and it's the clearest expression of his roots as a jazz player, drawing heavily on Coltrane's modal post-bop and concepts of freedom. To that end, Sharrock reunites with Coltrane's old cohort, Pharoah Sanders, who featured Sharrock on his wild Tauhid and Izipho Zam LPs; what's more, Coltrane Quartet drummer Elvin Jones is on hand, as is young bassist Charnett Moffett. It's far and away the best, most adventurous, and most jazz-oriented backing group Sharrock recorded with during his comeback, and the results are breathtaking.
Features 24 bit remastering and comes with a mini-description. A tremendous live performance from the group co-led by Red Rodney and Ira Sullivan – two players who really bring a lot to each other's music! There's a mode here that really blows us away – a careful, sensitive approach that allows each horn player to hit their most lyrical moments – shading things in with a far richer palette of sounds than we might ever have expected. The rest of the group's a big factor for the album's sound, though – as it features the great pianist Garry Dial, who also wrote some of the tunes – plus Jay Anderson on bass and Jeff Hirschfield on drums. Rodney plays trumpet and flugelhorn, and Sullivan plays flute, flugelhorn, alto, and soprano sax – on titles that include "How Do You Know", "As Time Goes By", "Sprint", "My Son The Minstrel", and "Speak Like A Child".
This set combines two of Sonny Rollins' LPs for Impulse Records, There Will Never Be Another You and On Impulse!, both of which were originally issued in 1965. There Will Never Be Another You featured the saxophonist playing a live set (in the rain, apparently) with pianist Tommy Flanagan, bassist Bob Cranshaw, and Billy Higgins and Mickey Roker on drums. Rollins is in fine form, playing standards including a nearly 17-minute version of the title tune. He wanders off the microphone frequently, though, which is a problem, and it makes this otherwise very nice set less than essential.
Features 24 bit remastering and comes with a mini-description. Really beautiful work from the team of Red Rodney and Ira Sullivan – hardly the sort of stuff we might have heard from the players a decade or two before – and a sophisticated batch of tunes that has them stretching out in rich musical directions! There's little of the boppish roots of either player here – and instead, the album mostly features inspiring jazz compositions from Garry Dial – the pianist in the group, and a real genius with color, tone, and timing. Dial's tunes dominate most of the record, and they really set the group on a great footing – horn trading between Rodney's trumpet and Sullivan's soprano, flute, and flugelhorn – supported with complicated changes from the core rhythm trio.