In Memoriam. Horace Parlan RIP. We’ve lost another great jazzman. Horace Parlan died on Thursday evening peacefully in his sleep in Denmark where he lived since 1973. By adding guitarist Grant Green and tenor saxophonist Booker Ervin to his standard rhythm section of bassist George Tucker and drummer Al Harewood, pianist Horace Parlan opens up his sound and brings it closer to soul-jazz on Up and Down. Green's clean, graceful style meshes well with Parlan's relaxed technique, while Ervin's robust tone and virile attack provides a good contrast to the laid-back groove the rhythm section lays down.
The success of the hit single "Disconnected" on Los Angeles radio station KROQ catapulted Face to Face to a new level of popularity, causing their 1995 release, Big Choice, to sell more than 100,000 copies – a first for the southern California punk band. "Disconnected" had appeared on their previous album Over It, but the band redid it for Big Choice, making it a bit heavier and adding a somewhat humorous exchange with a "record producer" about whether to include the song on the album because they didn't want to be labeled sell-outs. The conversation ends with the band declaring "there's no way in hell this song is going on this record" and then launching right into "Disconnected."
Features 24 bit remastering and comes with a mini-description. Somethin' Sanctified is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1961. In 1959, trombonist Slide Hampton was known mainly for the excellent arrangements he did for the Maynard Ferguson Band, so it was no surprise that he formed his octet band and began making a serious bid for recognition as a top jazz artist and arranger, recording his first album for the small label Strand. His impact was immediate and in 1960 Slide signed for Atlantic resulting in two studio albums, Sister Salvation and Somethin Sanctified, which were the octets first for the label.
Guitarist Gabor Szabo's debut as a leader (after an important stint with the Chico Hamilton Quintet) is surprisingly successful. The reason this LP is a bit of a surprise is that the repertoire (in addition to two originals apiece by the leader and Gary McFarland) has a few unlikely songs by the Beatles ("Yesterday" and "If I Fell") and Burt Bacharach (including "Walk On By"). Usually jazz adaptations of rock songs in the 1960s are lightweight, but Szabo's original sound, the unusual instrumentation (two or three guitars, Sadao Watanabe on flute, Gary McFarland on marimba, bass, drums and percussion) and McFarland's clever arrangements uplift the music. The playing time at 35 minutes is a bit brief, but the performances are better than expected.
Features 24 bit remastering and comes with a mini-description. The 1960's represented a very interesting time for musicians of all genres; three particular reasons began a trend for future generations of musical artists. The Beach Boys, The Beatles, and The Rolling Stones were the 3 reasons which permanently altered the musical landscape and basically made it impossible for stars of the past to remain economically viable in the present. The only 2 exceptions to the rule of course were Mel Tormé and Frank Sinatra.