Most John Patton albums are hard-driving, edgy soul-jazz and funk, and the title of Accent on the Blues makes the record seem like it would be no different than his other sessions. Of course, that isn't the case. Accent on the Blues is among the most atmospheric music Patton has ever made. While it stops short of being free, it's hardly funky soul-jazz, and that may disappoint some fans of his rip-roaring style. Nevertheless, the album is a rewarding listen, primarliy because it displays a more reflective side of his talent, demonstrating that he can hold his own among the likes of guitarist James Blood Ulmer and saxophonist Marvin Cabell.
Peter Green’s Fleetwood Mac were Britain’s finest blues band. Releasing three seminal albums before breaking up, this double CD of classic Mac - one of famous (and rare) studio recordings and another of fierce live performances - marks the band’s 50th anniversary.
This set of Edgar Winter's jazzy remakes of older tunes and some new ones is all over the place. With a cast that includes guitarists Robben Ford and Hiram Bullock, Steve Lukather, and Michael Hakes, and bassists like Will Lee, Mark Meadows, and Tom Lilly, as well as trumpeter Lee Thornburg, one gets exactly what one expects: a slick, groove-infested ride through Winter's past and present.
I Always Turn The Blues On, Val Starr & The Blues Rocket's fourth all original blues CD, hit the streets on August 1st, 2017. " We released the CD just in time for International Blues Day on 8/5. Her prior release, Woman on a Mission received solid radio support, holding the #1 spot on the Airplay Direct Global Radio Blues Charts for 5 straight weeks in March. The band also debuted on the Roots Music Report blues charts at #39. Their radio success can be attributed to their talent, hard work and music business background.
Juanita Hall is best-known for being a stage actress, playing Bloody Mary in South Pacific. However on this 1958 set for Counterpoint, she shows that she could effectively sing blues. Mostly sticking to songs from the Bessie Smith songbook (including "You've Been a Good Old Wagon," "Gimme a Pigfoot" and "Nobody Wants You When You're Down and Out"), Hall's extroverted and shouting style fit the music quite well. Pianist Claude Hopkins arranged for the sextet and gathered quite an all-star backup group that includes tenor-saxophonist Coleman Hawkins, clarinetist Buster Bailey and trumpeter Doc Cheatham. Well worth getting.