Throughout Randall Bramblett's long, storied career as a sideman and as a solo artist, he has doggedly mined the sources of his earliest inspirations – soul, R&B, blues, and roots rock – for the lessons they teach about creative expression. As a result, his albums have always moved a little deeper, a little wider, and have taken enough chances with those forms that he's too mercurial to pin down – he's a marketing person's nightmare, but a real music fan's (and musician's) delight…
A man with as much experience as he has ingenuity, Randall Bramblett has been a singer-songwriter, a session musician, and a hired gun for legends such as Gregg Allman and Steve Winwod. Bramblett’s latest release from his more than thirty years in the business, Devil Music, delivers the expected level of virtuosity, and surprises with a deep-fried, novel twist of Southern darkness. “Dead in the Water,” the album’s lead single is equally fulfilled through evocative lyrics, well-timed and managed effects, and instrumental superiority; a narrative of nowhere, the track is populated by dead-end characters and lowly living; fitting, for a track that Bramblett claims is inspired by William S. Burroughs. While immersing itself in the wonderfully weird, infinitely spiraling darkness of whimsy that exemplifies some of Tom Waits’ best work, “Dead in the Water” sees a guest appearance by storied axeman Mark Knopfler.
Produced by Chuck Leavell, Warren Haynes' first solo album is a refreshing change of pace from his work with the latter-day incarnation of the Allman Brothers Band. Although the feel of this album is undeniably classic rock, with much of Free's bluesy swagger, it is also vaguely reminiscent of '80s rock at times (check out the Mr. Big-esque verse to "Fire in the Kitchen"). The focus on Tales of Ordinary Madness is clearly on Haynes' songwriting chops. For the most part, the songs on this record are tight and concise, focusing on immediate riffs, gritty vocals, and cool arrangements to sell them. This, however, is not to suggest that Haynes has stopped tearing it up with his guitar, and he amply demonstrates why he is one of the most lauded straight-ahead rock lead guitarists of the '90s.
"Snapshot" is the fourth solo album by Deep Purple bassist Roger Glover released in September 2002 by Eagle Records. It features Randall Bramblett, Warren Haynes and Gillian Glover (Roger's daughter). Again a proof of the diversity of talents within the DEEP PURPLE Family. Roger proofs with this album that he makes timeless music which can be 70, 80, 90 s or 21th century music. Great to listen to in detail, but also as music to join with others on the background.
Recorded live at Warren Haynes’ 18th Annual Christmas Jam in Asheville, NC on December 16th, 2006 at the Thomas Wolfe Auditorium, The Benefit Concert Volume 8 is the third release in an on-going series documenting the annual concerts. The concert saw Warren Haynes put together a stellar lineup of musicians featuring Gov’t Mule, Dave Matthews, The New Orleans Social Club, Marty Stuart and His Fabulous Superlatives, The Taj Mahal Trio and The John Popper Project featuring DJ Logic. Warren Haynes also welcomed very special guests Randall Bramblett, Taylor Hicks, Branford Marsalis, Mike Barnes, Mickey Raphael, Brendan Bayliss, Kevn Kinney, Robert Kearns and Dave Schools.