Since the very dawn of the compact disc era, Ralph Kirkpatrick's seminal recordings of Domenico Scarlatti have mainly been conspicuous only by their absence from the active catalog. It's hard be sure just why, as all along listeners and reviewers alike have been requesting their return. Kirkpatrick's Bach has been reissued here and there, along with some oddities, including a live, all twentieth century recital Kirkpatrick performed in 1961, released on Music and Arts. But of the Scarlatti, nothing - how could the man who put the "K." in Scarlatti go neglected; were not his performances once considered the acme in Scarlatti played on the harpsichord?
Questo è un "discorso sul metodo"dell'interpretazione musicale:che poi l'argomento sia il clavicembalo ben temperato di Bach è, in un certo senso, secondario. Ralph Kirkpatrick clavicembalista e musicologo, è stato uno dei maggiori interpreti del nostro secolo, e ha contribuito in modo determinante al rifiorire degli interessi per il clavicembalo e la musica barocca.
This 50 CD Box Set includes Archiv Produktions finest analogue recordings made between 1959 and 1981, representing a Golden Age of a pioneering label that defined the way early music should be performed and recorded. Featured artists include Karl Richter, Nikolaus Harnoncourt, Pierre Fournier, John Eliot Gardiner, Trevor Pinnock and other icons of the Archiv label. The collection also includes a 150-page booklet with tracklists, rare photos and a new note by David Butchart.
The box-set traces the history of Archiv from 1947, when the first recordings were made (Helmut Walcha playing Bach organ works), to a bonus CD featuring selections from the new 2013 albums mentioned above. A complete overview is appended. In between comes a sequence of albums several of which are new to CD from the great names of the label, from Walcha, Wenzinger and Safford Cape, through Karl Richter, Nikolas Harnoncourt and Sir Charles Mackerras…
For his second set as a leader, the focus is almost entirely on tenor saxophonist Ralph Moor, who switches to soprano on two of the six numbers. Accompanied by pianist David Kikoski, bassist Buster Williams and drummer Billy Hart, Moore performs group originals, Wayne Shorter's "Black Diamond" and Bud Powell's "Un Poco Loco." Displaying a tone on tenor similar to John Coltrane's, Moore's note choices are more original than his sound. A solid modern mainstream set.