Even though the sound expanses traversed by ambient music often evoke feelings of horizontality, layered planeness and volatile textures tranquilly billowing out, it is also true that the greater representatives of the genre and its sub-branches – like mountaineers – mostly seek for sky-scraping verticality. Ranking high in the pantheon of atmosphere architects, Rafael Anton Irisarri certainly has nothing left to prove. Since his beginnings over ten years ago, his output has gained a density that very few can boast having reached, establishing a sound that has the power to haunt your nights and the crucial energy to bring your most buried existential dreams out of mothballs.
Renata Scotto shows an amazing flexibility and control. Her Caro nome is one to be heard many times. She reaches a high D and decrescendo's to an incredible ppp. I felt the aria drug a little in tempo, but the gorgeous sound more than made up for it. As Rigoletto, Dietrich Fischer-Dieskau has the vocal power demanded by the score. Too often he sounded as if he was delivering a recital of Leider. A smooth velvet sound was his mark throughout. In his duets with Gilda, this payed off handsomely. Even in his dealings with the courtiers after Gilda's abduction he showed us a rarely seen Dietrich blustery side.
This set represents Rafael Kubelik’s art in a wholly positive way. His Mahler and Dvorák cycles are very well-known. The Dvorák remains, along with those by Rowicki and Kertesz, one of the three reference editions of the complete symphonies, and the only one featuring a Czech conductor.
Spanish maestro Rafael Fruhbeck de Burgos (1933-2014) concluded his acclaimed international conducting career of almost six decades with two memorable years as the venerated Principal Conductor of the Danish National Symphony Orchestra. Recorded live in concert at the new DR Koncerthuset in Copenhagen, this exclusive release combines Fruhbeck de Burgos’ powerful interpretation of the complete symphonies by Ludwig van Beethoven with his spectacular renderings of Symphonie fantastique by Hector Berlioz and Richard Strauss’ Eine Alpensinfonie as well as Joaquin Rodrigo’s popular concierto de Aranjuez, featuring the world-renowned Spanish guitarist Pepe Romero.