Italian pianist turned DJ Robert Miles scored a massive international hit with his wonderful, dreamy dance cut "Children" (one of the 1990s biggest and best dance hits) from his debut album Dreamland. The album at times sounds as if it were one continuous song (or set of beats with similar chord progressions) stretched over an hour, which may detract some, but, in essence, is what makes his sonic dreamscape so engaging. It's at once both dancefloor and chill out material; one of those discs where one can hit the play button, drift into a different dimension, and forget about worldly worries. Dreamland, which is both melancholy and blissful, succeeds in its simplicity.
Robert Miles has taken years to produce this album, protected from the vicious claws of society, only by a personal demand for pushing music beyond what record labels insist will stir souls, but really pillage wallets. After experiencing international acclaim from his album Dreamland in 1996, he experienced legal troubles debating the rights to his artistic expression and exploration. Despite these struggles Miles persisted, starting his own record label S:alt Records and has since experienced due success.
"Children" is a single by electronica composer Robert Miles from his album Dreamland. "Children" is Miles' most successful single, being certified Gold and Platinum in several countries and it reaching #1 in more than 12 countries. Miles created several remixes himself with an additional remix by Tilt.
The musical reconstructions industry keeps gathering pace, but few works have attracted as much attention as Mahler's 10th Symphony. Joe Wheeler (who died in 1977) was a brass-playing British civil servant with a passion for Mahler. This completion (itself in an edition by the conductor here, Robert Olson) uses the leaner orchestration of the composer's later years. But does it sound Mahlerian? Certainly more so than Remo Mazzetti's 1997 version, but neither caps Deryck Cooke's acute sense of authentic detail and color in his legendary edition.
Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz – an accepted work of greatness that's innovative and entertaining…