This film attempts to show a more realistic view of prostitution in Hong Kong and, by and large, it succeeds. Prostitution is not glamorized by any means, with the prostitutes acting bored while servicing clients and the johns appearing pathetic.
Bear Family, the venerable German label that does reissue boxes of U.S. artists better than any American label – with the possible exception of Mosaic – has taken the cream of Kitty Wells' career and issued one of the most historically important collections in the history of country music. The Queen of Country Music is a four-CD box, with exhaustive biographical and session notes by Charles Wolfe that document, in their entirety, nine years of Ms. Wells career, from its inception through to its turning point and superstardom, the years 1949 to 1958; there are 114 tracks in all. Along with every major hit and B-side from the eras, the set includes classic original versions of "It Wasn't God Who Made Honky Tonk Angels," "Hey Joe!," "I Hear the Jukebox Playing," "Lonely Side of Town," "Making Believe," "Dust on the Bible," "The Place That Kills," "Right or Wrong," "Just When I Needed You," "The Great Speckled Bird," "Jealousy," and many others.
Co-producer Bruce Iglauer anticipated a future trend by making this a set filled with cameos – but the presence of Lonnie Brooks, James Cotton, Albert Collins, and Son Seals is entirely warranted and the contributions of each work quite well in the context of the whole. Taylor's gritty "I Cried like a Baby" and a snazzy remake of Ann Peebles' "Come to Mama" are among the many highlights.