Reissue with latest 2014 remastering. Comes with liner notes. Acoustic magic from Herbie Hancock – proof that he wasn't only cutting electro records in the 80s! The set's got a fluid, open feel that's a bit like some of the VSOP Quintet work – although the group here is slightly different, with Hancock on acoustic piano, Ron Carter on bass, and Tony Williams on drums – plus a young Wynton Marsalis on trumpet – stepping in where Wayne Shorter and Freddie Hubbard left off. The tracks are somewhat sharp-edged and modern, but never in a way that's too outside – more just a continuation of the VSOP mode, with some of the Marsalis love of darker colors and tones. The double-length set has plenty of room for long solos – and titles include "Well You Needn't", "Round Midnight", "Clear Ways", "A Quick Sketch", "The Eye Of The Hurricane", "Parade", "The Sorcerer", "Pee Wee", and "I Fall In Love Too Easily".
Reissue features the high-fidelity Blu-spec CD format (compatible with standard CD players). This is an extremely symbolic album, for Herbie Hancock and the V.S.O.P. rhythm section essentially pass the torch of the '80s acoustic jazz revival to the younger generation, as personified by then 19-year-old Wynton Marsalis. Recorded during a break on a tour of Japan, a month before Marsalis made his first Columbia album, the technically fearless teenaged trumpeter mostly plays the eager student, imitating Miles, Freddie Hubbard, and Clifford Brown, obviously relishing the challenge of keeping up with his world-class cohorts.
The String Quartet No. 1 in D major, Opus 11, was Pyotr Ilyich Tchaikovsky's first completed string quartet of three string quartets, published during his lifetime. (An earlier attempt had been abandoned after the first movement had been completed.) Composed in February 1871, it was premiered in Moscow on 16/28 March 1871 by four members of the Russian Musical Society: Ferdinand Laub and Ludvig Minkus, violins; Pryanishnikov, viola; and Wilhelm Fitzenhagen, cello.
On tour for their 40th Anniversary, the four jazz giants stopped in Stuttgart for the “Jazz Gipfel” 1992, where they were joined by the Arcata chamber orchestra, directed by Patrick Strub. As Pianist John Lewis’ compositions had long been influenced by his affinity for the so-called “Third Stream” between jazz and classical music, this seemed an apt celebration. The MJQ existed from 1952 to 1974, and again from 1981 to 1995. Over the years it took such deep root in the consciousness of jazz fans that, quite irrationally, one could believe in the immortality of its members. The past few years have proved us wrong: all four members of the quartet have died, the last was Percy Heath in 2005.
“Pensar en nada” is the fifth studio album by the Argentine singer-songwriter León Gieco.
The Aeolian Quartet's epic cycle, originally released in the Seventies, was one of the gramophone's major contributions to Haydn's cause. Listening to the performances anew I find they have lost none of their freshness: they were based on the latest research, and the playing itself is always intelligent and thoughtful, with Emanuel Hurwitz's sweet-toned violin-playing a great asset throughout. (Misha Donat)