Lindsey Buckingham quit Fleetwood Mac after the release of their Tango in the Night album in 1987 and spent the subsequent five years working on his first post-Mac solo album, Out of the Cradle. Perhaps because he was now focused on his solo career, Buckingham reined in the experimental style of his first two albums, producing more conventional, accessible material, much of it similar to his later work with Fleetwood Mac…
In the summer of 1991 Gerry Mulligan decided to revisit Miles Davis's Birth of the Cool recordings. He discussed it with Miles Davis himself who said he might be interested in participating but sadly Davis died a few months later. With Wallace Roney (the perfect sound-alike) in the trumpeter's place, baritonist Mulligan got the band's original pianist and tuba player (John Lewis and Bill Barber), used his own bassist (Dean Johnson) and drummer (Ron Vincent), and found able substitutes in altoist Phil Woods (unfortunately Lee Konitz was unavailable to play his old parts), trombonist Dave Bargeron and John Clark on French horn.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. Harold Ashby's a tremendous tenorist – almost like Von Freeman or Buck Hill, in that he had years of experience before getting a bit of wider experience on records – thanks to albums like this! The set's got Ashby's great raspy tone in perfect formation with a trio led by pianist Horace Parlan – himself experiencing a big new wave of exposure at the time, on some of his other Timeless sessions, which marked a move to spacious, more tradition-filled playing – which makes him a great partner for Ashby on this set!
Bessie Smith was an American blues singer. Nicknamed the Empress of the Blues, she was the most popular female blues singer of the 1920s and 1930s. She is often regarded as one of the greatest singers of her era and was a major influence on other jazz singers.