Cell15 is a project created by Robert Scott Richardson. From the first recoil of the complex kit's snare drum, followed by locomotive-strength symphonic keys, listeners are propelled like shot in a sling into Cell15's powerful breakthrough debut album, "Chapter One." This is a driving progressive rock concept album that's befitting of the most-capable, well-powered sound system.
Cell15's follow up release to their critically acclaimed "Chapter One". Driving music, thought provoking and powerful.
"Is this meant ironically? Is it a joke? Do I mean this seriously? In what way?" David Byrne seems to be simultaneously inviting and acknowledging some likely reactions to his 2018 album, American Utopia, in his own liner notes. At a time when America has been thrown into a state of chaos – something Byrne witnessed and creatively reacted to as an artist during the Reagan era – here he imagines what appears to be an alternate version of the United States and the people who live in it…
There's no denying that Fountains of Wayne know how to craft a great pop record. They know how to write a hook, they can pull of mild rockers and sweet ballads with equal aplomb, and they write melodies that feel like half-forgotten favorites. They have all the elements of a classic power pop band but they suffer from that peculiar '90s ailment – detachment. For all their flair, talent, and craftsmanship, the band don't really dig deeper than the surface. Of course, that doesn't mean they make bad records, and their second album, Utopia Parkway, is, if anything, every bit as good as their fine debut. All the songs immediately make a connection and all of their melodic attributes simply strengthen with repeated listens. However, those repeated listens reveal that Fountains of Wayne don't have a lot to say. That's not a cardinal sin in guitar pop, since most bands simply recycle the same lovelorn themes, but Fountains choose to have fun with clichés, throwing in goofy asides even in their ballads.