After beginning a three-album Bruch series with the little-known Violin Concerto No. 3, Op. 58, Liebeck here takes up one of the composer's most famous works, the Violin Concerto No. 1 in G minor, Op. 26. The rest of the program, though, advances the aim of Hyperion's Romantic Violin Concerto series, which is to recover forgotten works of the period. The little Romance in A minor, Op. 42 and the Serenade in A minor, Op. 75 both got started as concertos, but never came to full fruition.
The effervescence of Lin's playing goes well with the approach to these works which Leppard makes explicit in his sleeve-note. Balanced rather more naturally than either Perlman (DG) or Mutter (EMI) on their rival versions of K218 Lin's extra delicacy goes with an easier manner with more fun in it, bringing out the light and shade. As Leppard puts it, with rococo pomposity and coquettish charm contrasted, ''the listener is forced to become, like Cherubino later, a reluctant member of the 18th century militia at one moment and a lover well-versed in 18th century courtesies the next''. The slow movement is most tenderly done, with a magically hushed final phrase from the soloist, while the humour of the finale is delectably pointed by soloist and conductor alike.(Edward Greenfield, Gramophone, 9/1988)
Chung's recording of two beloved Bruch (pieces) is filled with fervent youthful energy and at the same time fragile delicacy. Chung's ability to express the powerful energy not forgetting the detail always amazes me. Simply, the two Bruch recrdings are such a beauty that no word can describe.
One of the best classical cds!
Kyung Wha Chung does a wonderful job of expressing the small details of Max Bruch… All the energy is expressed, just as Bruch intended it to. A must have for all classical collections.- Amazon Reviewer