This is a reissue of the 1993 Chandos recording which was welcomed by Michael Oliver, who heard Prokofiev in the background of the solo piano concertos. The first version of No 1 (1939) was for strings and percussion but three years later Rawsthorne rescored it for full orchestra and in that form the work became popular. The whirligig semiquavers in the fast movements create a scherzo atmosphere and the last movement is a tarantella. In between comes a grave chaconne full of Rawsthorne’s fingerprints.
One of the great cycles. Of the hundred or so available recorded cycles (out of about one hundred and fifteen or so), this rates as one of the best. In better sound than either the DG stereo cycle and the live King International cycle, Kempff's style is more poetic and less intense and fiery than others. Whatever Kempff may give away in terms of speed, power, and precision, he makes up for in other ways
Claudio Arrau was past his prime when, in the mid-1980s, he offered these final thoughts on the late sonatas, but he was still a sovereign interpreter, with a sense of line and grasp of form few other exponents of this music have possessed in comparable degree. Where an interpreter like Pollini emphasizes the energy in Beethoven’s writing for the piano, Arrau conveys its mass, giving these sonatas a symphonic treatment.
Things are not nearly as bad for the admirer or potential admirer of Stanford’s chamber music as they were a couple of decades ago. The Clarinet Sonata has had a good run for its money on disc and the two violin sonatas have been recorded, but much remained on the shelf. Now we have a three-CD box of the complete music for violin and piano from Alberto Bologni and Christopher Howell.
Living legend of the piano Murray Perahia records two benchmark sonatas by Beethoven for the first time in his career. Long renowned for his performances of this composer, Perahia’s brand new recording pairs together two of the most radically ground-breaking of Beethoven’s 32 piano sonatas, in a release that is sure to be a crown jewel of the Beethoven discography.