Ronald Brautigam, with the congenial support of Die Kölner Akademie, under Michael Alexander Willens, here performs Mozart’s Piano Concertos Nos. 24 and 25, both composed in 1786. The C major concerto is in fact one of the most expansive of all classical piano concertos, rivalling Beethoven’s fifth concerto. Their grandeur immediately made them popular fare in the concert hall – Mendelssohn, for instance, had No.24 in his repertoire through the 1820s and 1830s.
Midem Classique Award winner Christian Zacharias continues his survey of Mozart Piano Concertos as both performer & conductor. Featuring arguably 1 of the most famous, the A Major. MDG’s complete recording of Mozart’s piano compositions with Christian Zacharias in the double role as pianist & conductor of the Lausanne Chamber Orchestra continues with KV 488, certainly the most-performed piano concerto by the great Salzburg composer, complemented here by KV 246 & KV 175, Mozart’s very 1st piano concerto.
This volume in the series seems to have taken a step up, with playing which previously might have been a little cosy now edgier & with more contrast in light & shade. The overall ensemble is excellent, & these are very good Mozart concerto interpretations indeed. Sound quality is up to MDG’s usual high standard, with a well-scaled ambience in Mch, & the 2+2+2 channel setup with height channels works fine in my 5.1 setup, despite my not reassigning the centre & sub speaker.
In this 3rd volume, Zacharias’ Mozart becomes essential, if not quintessential, in a universe for piano & concerto that is fascinating. The Concerto for Piano & Orchestra #17 in G major KV 453 dates from 1784, & inspired the musician Alfred Einstein to say: “In a friendly key are hidden many mysterious smiles & painful wounds – words cannot be found to describe the permanent irisation of feelings in the 1st movement, the passionate interiority of the 2nd.”
Not just because this disk is the only 1 in the series without a review on this site, but also because it concerns a re-issue in SACD format, I thought it might be useful to share my views with the Super Audio community. To start with the end: My verdict is a wholehearted positive 1 in both artistic & technical sense.
The two concertos are worth lisenting although not masterpices. The second in the disk is better. Spada's playing is delicate and precise although the tempi in both finales is rather slow. Not to be compared with those concertos by Mozart but good. The overture to "Les Horaces" is beautifully composed in a Gluckian style. Its final subject heard by the end is very inspired and heroic. The overture to "Semiramide" (presented as to either "La Secchia Rapita" or "Il Ricco di un Giorno" -I can not remember exactly- in other Salieri's CD) is less interesting and Spada's slow tempo reinforces the mediocrity of the piece.