Piano Concertos 24 96

Adam Laloum & Victor Julien Laferrière - Brahms, Franck & Debussy Sonates pour violoncelle & piano (2016) [24/96]

Adam Laloum & Victor Julien Laferrière - Brahms, Franck & Debussy Sonates pour violoncelle & piano (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 58:34 minutes | 1.10 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Between post-Romanticism and Symbolism, three masterpieces for cello and piano, created between 1865 and 1915 on either side of the Rhine. And two young talents of the twenty-first century who present their enthralling vision of these three facets of ‘Art Nouveau’.
David Kenedy & Rianka Bouwmeester - Schubert: Arpeggione Sonata; Chopin: Sonata for Cello & Piano (2017) [24/96]

David Kenedy & Rianka Bouwmeester - Schubert: Arpeggione Sonata; Chopin: Sonata for Cello & Piano (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 53:26 minutes | 926 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Husband and wife duo David Kenedy and Rianka Bouwmeester partner for the first time in a new recording of two late works by Chopin and Schubert. In this very personal recital, Kenedy explores his own musical history and connection with the songs of Schubert: The Arpeggione Sonata is one of Schubert’s most lyrical instrumental works, almost a song cycle in itself, whilst Chopin’s passionate Sonata brims with feeling, as well as quoting musically from Schubert’s Winterreise in several places.

Alexander Blume – Boogie Woogie Piano (1988) (24/96 Vinyl Rip)  Vinyl & HR

Posted by boogie-de at Dec. 1, 2013
Alexander Blume – Boogie Woogie Piano (1988) (24/96 Vinyl Rip)

Alexander Blume – Boogie Woogie Piano (1988)
XLD Flac 24Bit/96kHz = 983 MB | Mp3 VBR0 16Bit/48kHz = 109 MB | Scans 400 dpi jpg | RAR
Vinyl LP | Amiga 856 354 | Boogie Woogie & Jazz | East Germany GDR

His first solo LP, from boogie-woogie standards to his own jazz compositions, from solo piano to a 5-piece jazz band. Alexander Blume played with Stefan Diestelmann, Zenit, Mama Blues Project, Kasseturm Jazzband Weimar a.o.
Mozart: Piano Concertos No 24 And 25 / Brautigam, Willens, Die Kolner Akademie (2011)

Mozart: Piano Concertos No 24 And 25 / Brautigam, Willens, Die Kolner Akademie (2011)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 231 MB
Genre: Classical | Label: Bis | Catalog Number: 1894

Ronald Brautigam, with the congenial support of Die Kölner Akademie, under Michael Alexander Willens, here performs Mozart’s Piano Concertos Nos. 24 and 25, both composed in 1786. The C major concerto is in fact one of the most expansive of all classical piano concertos, rivalling Beethoven’s fifth concerto. Their grandeur immediately made them popular fare in the concert hall – Mendelssohn, for instance, had No.24 in his repertoire through the 1820s and 1830s.
Jorge Bolet - Liszt: Piano Concertos Nos. 1 & 2, Tre Sonetti del Petrarca & Tannhäuser Overture (2018)

Jorge Bolet, Radio-Symphonie-Orchester Berlin, Lawrence Foster, Edo de Waart - Liszt: Piano Concertos Nos. 1 & 2, Tre Sonetti del Petrarca & Tannhäuser Overture (Jorge Bolet: The RIAS recordings, Vol. II) (2018)
Classical | WEB FLAC (tracks) & d. booklet | 318 MB
Label: audite Musikproduktion | Tracks: 14 | Time: 79:17 min

Jorge Bolet - the last gentleman of the piano: Cuban-American pianist Jorge Bolet (1914-1990), misleadingly labeled the "last Romantic" among 20th century pianists and marketed under this title when he achieved world fame at the end of his career, was first and foremost a gentleman of the piano. Few pianists interpreted the great piano music of the 19th and early 20thcenturies with such unerring stylistic assurance and technical mastery that was at the same time completely free of vanity and striving for effect.
David Greilsammer - Sounds of Transformation (2018) [Official Digital Download 24/96]

David Greilsammer - Sounds of Transformation (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 75:55 minutes | 1.28 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Known for his eclectic and fascinating programmes, conductor and pianist David Greilsammer is recognised as one of today’s most audacious classical artists. The New York Times has recently awarded two of David Greilsammer’s albums as Recording of the Year, in addition to selecting his solo recital “Scarlatti:Cage:Sonatas” as one of the ten most important musical events of the year.
Krystian Zimerman, Carlo Maria Giulini - Frederic Chopin: Piano Concertos Nos. 1 & 2 (1986) (2002 Remaster) [24-96]

Krystian Zimerman, Carlo Maria Giulini - Frederic Chopin: Piano Concertos Nos. 1 & 2 (1986) (2002 Remaster)
FLAC (tracks) 24-bit/96 kHz | Artwork: front cover | RAR | 1.23 Gb
Classical | Label: Deutsche Grammophon - 415970

It was an eminently sensible decision to couple Zimerman's previously separate Chopin concertos on a single CD. The Ax/Ormandy/RCA disc is the only rival as a coupling, so let me say at once that in different moods I would be equally happy with either.
Edwin Fischer - Mozart: Piano Concertos - The Complete Studio Recordings (1933-1947) (3CD Box Set)

Edwin Fischer - Mozart: Piano Concertos - The Complete Studio Recordings (1933-1947) (3CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 671 mb | MP3 CBR 320kbps | 03:41:52 | 511 mb
Classical, Piano | Label: APR / APR 7303

This three-disc set of all of the studio recordings of Mozart's piano concertos and sonatas made by German pianist Edwin Fischer between 1933-1947 may elicit different responses from his fans than from listeners not already persuaded of his greatness.
Sonya Bach & English Chamber Orchestra - Bach: Keyboard Concertos & Italian Concerto (2017) [Official Digital Download 24/96]

Sonya Bach & English Chamber Orchestra - Bach: Keyboard Concertos & Italian Concerto (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 102:49 minutes | 1.72 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

A virtuoso harpsichordist and organist, it is remarkable that J.S. Bach composed only one original work for keyboard and orchestra. The fifth Brandenburg Concerto, with its huge sixty-five bar cadenza in the first movement, created the blueprint for all piano concertos that followed. However, Bach the great arranger mined his other concertos to create seven more keyboard works (No.6, omitted here, is for keyboard, flutes and strings).
Maria Joao Pires, Orchestra Mozart; Claudio Abbado - W.A. Mozart: Piano Concertos Nos. 20 & 27 (2012) [Repost]

Wolfgang Amadeus Mozart: Piano Concertos Nos. 20 & 27 (2012)
Maria João Pires, piano; Orchestra Mozart; Claudio Abbado, conductor

EAC | FLAC | Image (Cue&Log) ~ 252 Mb | Mp3 (CBR320) ~ 174 Mb | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 479 0075 GH | Time: 01:00:14

It's a recording that just a few years ago would have been mainstream: a "name" pianist (albeit one much less well known in the U.S. than elsehwere), who has been playing Mozart's piano concertos since childhood, joins forces with a name conductor with whom she has frequently collaborated, leading a modern-instrument orchestra of some 70 players, with the results released on a major international-conglomerate label. Now it's distinctly unusual. But lo, there's value in the old ways. Portuguese-Brazilian pianist Maria-João Pires is a lifelong Mozart specialist, but she still has new things to say in two of Mozart's most popular piano concertos. You can chalk it up to her Buddhist outlook if you like: her readings of the Piano Concerto No. 27 in B flat major, K. 595, and Piano Concerto No. 20 in D minor, K. 466, might be described as detached without being lifeless. Her approach is most startling in the Piano Concerto No. 20, where her no-drama shaping of the material runs sharply counter to type. Sample the piano's entrance in the first movement, where it offers a twisting, tense elaboration of the main theme that is far removed from its source material. Generally pianists use this to raise the tension level, but Pires lets the unusually shaped, chromatic line speak for itself with fine effect.