Philip Pollock Iii

Henri Demarquette & Vanessa Benelli Mosell - Echoes: Philip Glass & Sergei Rachmaninov (2018)

Henri Demarquette & Vanessa Benelli Mosell - Echoes: Philip Glass & Sergei Rachmaninov (2018)
EAC | FLAC | Image (Cue&Log) ~ 248 Mb | Mp3 (CBR320) ~ 161 Mb | Scans included
Genre: Classical | Label: Decca | # 481 629-9 | Time: 00:59:59

Pianist Vanessa Benelli Mosell and cellist Henri Demarquette find common ground between Philip Glass and Rachmoninov in this release that revels in both composers passion for sonic storytelling. Presenting a program of personal, dramatic and spiritual music, Mosell and Demarquette perform these selections with intimate ardor.

Ooppera Skaala - Philip Glass: A Madrigal Opera (2009)  Music

Posted by Designol at May 28, 2018
Ooppera Skaala - Philip Glass: A Madrigal Opera (2009)

Ooppera Skaala - Philip Glass: A Madrigal Opera (2009)
EAC | FLAC | Tracks (Cue&Log) ~ 324 Mb | Mp3 (CBR320) ~ 141 Mb | Scans included
Classical, Minimalism, Opera | Label: Orange Mountain Music | # omm0062 | 01:00:30

Orange Mountain Music presents the world premiere recording of Philip Glass’ A Madrigal Opera performed by Finland’s Ooppera Skaala. Glass’ second opera after the hallmark Einstein on the Beach in 1975, A Madrigal Opera contains no narrative or subject matter. It is a work composed for future writers and directors to create in and around Glass score. The work is composed as for a traditional madrigal, with six voices with violin and viola accompaniment. The clean and dynamic Glass score from 1979 represented a huge musical step for the composer as he moved toward a more expressive idiom which later produced works like Satyagraha and Koyaanisqatsi.
Dublin Guitar Quartet - The Dublin Guitar Quartet performs Philip Glass (2014)

Dublin Guitar Quartet - The Dublin Guitar Quartet performs Philip Glass (2014)
EAC Rip | FLAC (tracks+log+.cue) | 01:12:52 | 286 Mb
Classical | Label: Orange Mountain Music

“A wonderful ensemble, the Dublin Guitar Quartet has carved a place for itself in the world of classical music. I am very pleased that my music is part of their repertoire. This is a very special arrangement. Arranging for guitars is a very tricky business and you really have to know what you are doing, so I have never done it, but Dave Flynn and Brian Bolger have made these arrangements and they're really quite beautiful."

Brooklyn Rider - Philip Glass: String Quartets Nos. 6 And 7 (2017)  Music

Posted by Designol at March 16, 2018
Brooklyn Rider - Philip Glass: String Quartets Nos. 6 And 7 (2017)

Brooklyn Rider - Philip Glass: String Quartets Nos. 6 And 7 (2017)
EAC | FLAC | Image (Cue&Log) ~ 336 Mb | Mp3 (CBR320) ~ 158 Mb | Scans included
Classical, Minimalism | Label: Orange Mountain Music | # OMM0121 | 01:04:08

It’s often said that the distilled essence of composers can be heard in their string quartets. And so it is with Glass, whose quartets here show a craftsman of considerable invention. String Quartet No. 6 begins as a bustling burst of dense energy, its second movement beautifully meandering, rich, and complex. The single-movement String Quartet No. 7 is almost Beethovenian in its restless questioning. Arranged for string quartet (with two violas), the Saxophone Quartet is warmly scored and yet shows Glass at his most forensic, with each bar stunningly sculpted.
Borusan Quartet - Company: Arvo Part, Hasan Ucarsu, Philip Glass, Peteris Vasks (2017)

Borusan Quartet - Company: Arvo Pärt, Hasan Uçarsu, Philip Glass, Pēteris Vasks (2017)
EAC | FLAC | Image (Cue&Log) ~ 283 Mb | Mp3 (CBR320) ~ 169 Mb | Scans included
Genre: Classical, Contemporary | Label: Onyx Classics | # 4171 | Time: 01:03:45

Of four living composers here, one is less well known. Like the Borusan Quartet itself, Hasan Uçarsu (born 1965) is Turkish. His String Quartet No 2 “The Untold” consists of two short, pensive outer movements – called epilogue and prologue – and two questing, energetic central movements full of Anatolian folk inspiration. Arvo Pärt’s Summa is a string version of a meditative vocal piece from 1977. Pēteris Vasks, like Pärt, found his own spiritual voice within or despite the restrictive Soviet aesthetic, as witnessed in his poignant String Quartet No 4. Philip Glass, in contrast, wrote his Quartet No 2, robustly minimalist, as stage music for an adaptation of Samuel Beckett’s novel Company. A fascinating, engagingly played quartet of quartets.
Bruce Brubaker - Hope Street Tunnel Blues: Music for Piano by Philip Glass & Alvin Curran (2007) [Repost]

Bruce Brubaker - Hope Street Tunnel Blues: Music for Piano by Philip Glass & Alvin Curran (2007)
EAC | FLAC | Image (Cue&Log) ~ 224 Mb | Mp3 (CBR320) ~ 177 Mb | Scans included
Classical, Contemporary, Minimalism | Label: Arabesque | # Z6798 | 01:02:44

The piano may not be the ideal medium for capturing the expressive possibilities of Glass' style of minimalism, but pianist Bruce Brubaker selects pieces that work well on the instrument. Part of the problem with hearing Glass on the piano is forgetting the sound of his ensemble, and the variety of colors (and volume) they have imparted to similar music. Brubaker begins his recital of works by Glass and Alvin Curran with his transcription of "Knee Play 4" from Einstein on the Beach. It is in fact a lovely piece on the piano if one can put the spectacular power and tonal range of the instrumental version out of one's mind. "Opening" from Glassworks, originally scored for piano, works beautifully on the instrument, and flows as naturally as the C major Prelude from Book I of The Well Tempered Clavier. The two pieces by Curran, Hope Street Tunnel Blues III and Inner Cities II, use a syntax similar to Glass, with a more dissonant tonal vocabulary. Hope Street Tunnel Blues III has ample kinetic energy that gives it an exhilarating momentum.
Dennis Russell Davies - Philip Glass: Symphonies Nos.1-10 (11CD Box Set, 2015)

Dennis Russell Davies - Philip Glass: Symphonies Nos.1-10 (11CD Box Set, 2015)
Classical, Minimalism | MP3 CBR 320 kbps | 1,22 Gb | Scans 29 Mb
Label: Orange Mountain Music

Orange Mountain Music presents this new limited edition 11 disc boxed set - The Symphonies by Philip Glass. This collection features conductor Dennis Russell Davies who has arranged the commission of nine of ten Glass symphonies, leading the orchestras over which he has presided during the past 15 years including the Bruckner Orchester Linz, Vienna Radio Symphony Orchestra, Sinfonieorchester Basel, and the Stuttgart Chamber Orchestra. This collection is the fruit of a 20 year collaboration between Glass and Davies and showcases a wide variety within this surprising body of work by Glass.
Landestheater Linz; Bruckner Orchester Linz; Dennis Russell Davies - Philip Glass: Kepler (2011) 2CDs + DVD5 [Re-Up]

Philip Glass - Kepler (2011) 2CDs + DVD5
Landestheater Linz; Bruckner Orchester Linz; Dennis Russell Davies, conductor

EAC | FLAC | Image (Cue&Log) ~ 586 Mb | Mp3 (CBR320) ~ 261 Mb | 01:54:02 | Scans ~ 62 Mb
DVD5 | NTSC | 16:9 (720x480) VBR | German-Latin AC3 5.0, 448 kbps or AC3 2.0, 192 kbps
Subs: English, German | 02:00:31 | ~ 4.1 Gb | Label: Orange Mountain | # 0071/OMM5004
Classical, Minimalism, Opera

Philip Glass' opera from 2009 explores the life of scientist Johannes Kepler though a series of dramatic scenes with two hours of Glass' music. Kepler in many ways hearkens back to Glass' portrait operas of the early 1980s and continues the composers interest in scientists after having also written operas on Einstein and Galileo. The opera premiered at the Landestheater Linz in 2009 as part of Linz 09, the European Cultural Capital, and continues the amazing 30 year collaboration between Glass and the conductor Dennis Russell Davies, the music director of both the Landestheater Linz and its orchestra, the Bruckner Orchester Linz who has also recorded Glass' music extensively for the Orange Mountain Music label including Glass Symphonies 6, 7, and 8, and Glass' large scale opera The Voyage which was originally written for the Metropolitan Opera. Kepler is a refreshing return to large scale symphonic writing for the opera house. Recent Glass operas including Waiting for the Barbarians and Appomattox carry more dialogue and intimate narrative scenes whereas Kepler is a musical dedication to the life of this great scientists - triumphs and human flaws.
Marcin Markowicz, Grzegorz Skrobinski - Different Things: Erich Korngold, Nino Rota, Alfred Schnittke, Philip Glass (2017)

Different Things: Erich Wolfgang Korngold, Nino Rota, Alfred Schnittke, Philip Glass (2017)
Marcin Markowicz (violin), Grzegorz Skrobiński (piano)

EAC | FLAC | Image (Cue&Log) ~ 333 Mb | Mp3 (CBR320) ~ 199 Mb | Scans included
Genre: Classical | Label: CD Accord / NFM | # ACD 235 / NFM 38 | 01:10:38

Korngold, Rota, Schnittke, Glass – four different artistic personalities. Each of these composers was active in totally different conditions; and therefore their life circumstances and consequently their artistic choices are incomparable. What may connect Korngold and Nino Rota are their early debuts as composers – both were prodigies. Seeking analogies in the lives of Alfred Schnittke and Philip Glass would come to naught. There is, however, another common denominator for their work – all of them were hugely successful in writing film music. Korngold codified its modern canons ruling to this day. Without Nino Rota it would be difficult to imagine Federico Fellini’s masterpieces. Alfred Schnittke found in the realm of cinema a domain of relative artistic freedom; Philip Glass a platform for his ambitiously non-clichéd art, opposing the musical mainstream of the last decades of the 20th century and the first decades of the 21st century.
Fine Arts Quartet - Four American Quartets: Philip Glass, Bernard Herrmann, George Antheil, Ralph Evans (2008)

Fine Arts Quartet - Four American Quartets (2008)
Philip Glass - Bernard Herrmann - George Antheil - Ralph Evans

EAC | FLAC | Image (Cue&Log) ~ 298 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included
Classical, Chamber | Label: Naxos | # 8.559354 | Time: 01:02:25

This recording gathers four string quartets by American composers who are widely divergent in style and manner, and who have made a distinctive and personal contribution to this endlessly re-inventive format. Ralph Evans is more familiar as a performer than composer. Finally completed in 1995, his First String Quartet is written in a non-derivative style, with tuneful melodies, lively counterpoint and piquant harmonies. Philip Glass has completed five mature quartets, his Second Quartet deriving from a theatrical presentation of Samuel Beckett’s prose poem Company. The self-styled ‘bad boy of American music’, George Antheil wrote three string quartets, the third of which is permeated by a folk-music ambience. Best remembered for his film scores, Bernard Herrmann had not released a concert work for 25 years when he wrote Echoes. Its title applies to the thematic connections unobtrusively linking the ten sections of this one-movement piece.