Faut-il présenter celui que l on a surnommé, à tour de rôle, le « Chêne autrichien » pendant ses années de culturisme, puis « Schwarzy » pendant sa carrière d'acteur et, plus récemment, « Gouvernator » pendant ses deux mandats à la tête de la Californie ? …
Born in the countryside and working in a port town on the coast of the Black Sea, Romanian wedding violinist Ion Petre Stoican wanted to break into the Bucharest market, which was dominated by a coterie of influential lautari families. He'd tried working there once before but it was hard to build a reputation for yourself when you were just another musician in from the provinces. Luck came unexpectedly when he noticed a man behaving in a suspicious way and handed him over to the police. The man turned out to be a foreign spy. By way of a reward, Stoican was given the chance to record an album with the state-operated label, Electrecord. "The most important Gypsy musicians from the Bucharest Lautari scene" (to quote the CD case) became his backing band, and the album had the effect that he must have hoped for: he made his reputation in Bucharest and played there until the end of the '80s. He died not long after the fall of Ceauşescu in 1989.
El renombre de Tomás Luis de Victoria (1548-1611) y la extraordinaria calidad de su música, ha ensombrecido a grandes figuras de la polifonía española del esplendoroso siglo XVI. Un siglo que se iniciaba con maestros de la talla de Anchieta y Peñalosa, seguía con Morales y Guerrero para culminar con Victoria, Ambrosio Cotes y Alonso Lobo.
Este último es, sin duda, uno de los más grandes, y aunque no se implicó en las novedades aportadas por la naciente homofonía o la policoralidad del barroco, su arte supo asimilar las nuevas propuestas expresivas, siempre con un dominio de la trama vocal equiparable al de los mejores polifonistas de su época.
This is one of the monuments of recorded music, a magnificent undertaking. Everything Moroney touches comes up sparkling; it is perfect in every detail: musical, academic, technical, you name it.
This disc received the 2000 Gramophone magazine award for "Best Early Music Recording."
Delve into the world of 17th-century England, with music written for kings and nobles during the tumult of the Civil War, and tunes which reverberated in town houses and taverns throughout the country. In their new album for ABC Classics, Australian Baroque trio Latitude 37, performing on instruments that the composers themselves would have known, bring to life the music of the 17th-century English Civil War – including the world-premiere recording of a lost work. The album also features a selection of guest artists hand-picked from Australia’s finest musicians.
Peter Philips was, after William Byrd, the most published English composer of the Elizabethan-Jacobean Age. He was also, in his day, the best-known English composer on the European mainland but his absence from his homeland after the age of about twenty-one means that he remains relatively neglected at home. Born in 1560 or 1561, he trained as a choirboy at St Paul’s Cathedral in London and may have studied keyboard playing with Byrd. In 1582 he fled England to avoid persecution as a Roman Catholic, making his way to Rome. In 1585 he joined the entourage of another Roman Catholic refugee, Sir Thomas Paget, travelling with him through Northern Europe for the next five years, eventually settling in Antwerp in 1591. In 1593 he was accused of plotting against Elizabeth I and arrested, but was eventually exonerated. He joined the court chapel of Archduke Albert, Viceroy of The Netherlands, as organist in 1597 and remained there until his death in 1628.
The Network Media Cooperative (Network Medien-Cooperative) was founded in October 1979 – by April 1990 we had already issued 19 titles, at the time as audio-cassettes with a comprehensive booklet in a small package that looked like a chocolate box. The covers and layouts were produced using Letraset on a light-table installed over a bath tub. Among those first records were the musical themes that were to preoccupy us for 30 years: an extensive document of the “Gypsies Music Festival”; meanwhile the music of the Roma has been documented on numerous Network CDs, including the anthology “Road of the Gypsies” (often copied but never achieving the same level). A double musíccasette packet was devoted to cult music from Haiti and the sounds and life philosophy of the Rastafarians in Jamaica. Recording trips were undertaken, among others, to Cuba, Trinidad, St. Lucia, and Curacao, but also to Latin America, Brazil, Argentina, Ecuador, Venezuela, Colombia, Belize. We also approached the music worlds of Africa in our portrait of the South African pianist and vocalist Dollar Brand (today Abdullah Ibrahim) and in the first studio recordings of Soukous music. These were followed by trips to Liberia, Senegal, Mali, Tanzania, Zanzibar.