""Rather than make a traditional covers record, I thought it would be much more fun to create a new type of project in which artists communicated with each other and swapped a song for a song, i.e. you do one of mine and I'll do one of yours, hence the title - Scratch My Back - And I'll Scratch Yours." Peter Gabriel
While numerous new wave artists in the early '80s tried to imitate David Bowie, Peter Schilling went a step further. In 1983, Schilling released "Major Tom (Coming Home)," a synth pop retelling of Bowie's 1969 classic "Space Oddity." It became Schilling's first and only entry in the U.S. charts, a song that eventually stigmatized him as a one-hit wonder in America. Schilling was born in Stuttgart, Germany, on January 28, 1956. As a teen, Schilling couldn't decide on whether to be a soccer player or a singer. He chose music and his debut album, Error in the System, appeared in 1983. The single "Major Tom (Coming Home)" wasn't just popular in the U.S., it was a worldwide smash.
As one of the biggest-selling artists of all time, perhaps it was only a matter of time before Billy Joel was subjected to a romantically themed collection, and so came She's Got a Way: Love Songs, released just in time for Valentine's Day 2013. This 18-track collection reveals an odd truth about Joel: he didn't write all that many love songs. A few of his biggest hits are love songs but only a few: the early song "She's Got a Way," which wasn't a hit until its Songs in the Attic incarnation in the early '80s; "Just the Way You Are," an unabashedly romantic soft rock staple that helped make him a star in the mid-'70s; "This Is the Time"…
Swan Lake was the first of Tchaikovsky's three great ballets– works which added a new level of depth and sophistication to what had been a purely superficial art form. Today the music is so well-known and popular that it's impossible to comprehend the difficulties the composer experienced at early performances. Audiences found the music "too symphonic," and the dancers were put off by the prominence given to the orchestra which, they felt, distracted ballet fans from the action on stage. Of course, all of these supposed "defects" are precisely what we admire about the music today, and this elegant but exciting performance reveals the music in all of its glory.
Alicia Keys' debut album, Songs in A Minor, made a significant impact upon its release in the summer of 2001, catapulting the young singer/songwriter to the front of the neo-soul pack. Critics and audiences were captivated by a 19-year-old singer whose taste and influences ran back further than her years, encompassing everything from Prince to smooth '70s soul, even a little Billie Holiday. In retrospect, it was the idea of Alicia Keys that was as attractive as the record, since soul fans were hungering for a singer/songwriter who seemed part of the tradition without being as spacy as Macy Gray or as hippie mystic as Erykah Badu while being more reliable than Lauryn Hill. Keys was all that, and she had style to spare – elegant, sexy style accentuated by how she never oversang, giving the music a richer feel. It was rich enough to compensate for some thinness in the writing – though it was a big hit, "Fallin'" doesn't have much body to it – which is a testament to Keys' skills as a musician.