Peter Gabrieln Japan

Sheena Easton - Take My Time (1981) [1983, Japan] *Re-Up*  Music

Posted by BlondStyle at May 1, 2018
Sheena Easton - Take My Time (1981) [1983, Japan] *Re-Up*

Sheena Easton - Take My Time (1981) [1983, Japan]
Pop/Rock, Soft Rock, Dance-Pop, AC | EAC Rip | FLAC, Img+CUE+LOG+Scans (PNG) | 46:09 Min. | 545,15 Mb
Label: Toshiba EMI Ltd. (Japan) | Cat.# CP35-3058 | Released: 1983 (1981-01-18)

"Take My Time" is the debut album by UK pop singer Sheena Easton. Released in January 1981, the album reached #17 in the UK and earned her a Gold Disc. Two months later, a ten track version of the album was released in the USA and Canada as "Sheena Easton". The album went Gold in the USA and Platinum in Canada.
Camel - The Complete SHM-CD Set (1973 -1984) [12 Albums, 15 CDs] {2009 Japan Mini LP SHM-CD Remaster UICY-94130~94145}

Camel - The Complete SHM-CD Set (1973 -1984) [12 Albums, 15 CDs] {2009 Japan Mini LP SHM-CD Remaster UICY-94130~94145}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 5.78 Gb | MP3 @320 -> 2.61 Gb
Full Artwork @ 600 dpi (jpg) -> 648 Mb (inside) | 5% repair rar
© 1973-84, 2009 Universal Japan / Deram / Decca | UICY-94130~94145 | SHM-CD Mini LP
Rock / Art Rock / Progressive Rock

Features the high-fidelity SHM-CD format (compatible with standard CD player). Cover artwork faithfully replicates original one. Comes with lyrics and a description. Camel was still finding its signature sound on its eponymous debut album. At this point, Peter Bardens and his grand, sweeping organ dominate the group's sound and Andrew Latimer sounds tentative on occasion.
Peter Gelderloos, "Comment la non-violence protège l'Etat : Essai sur l'inefficacité des mouvements sociaux"

Peter Gelderloos, "Comment la non-violence protège l'Etat : Essai sur l'inefficacité des mouvements sociaux"
Libre | 2018 | ISBN: 2955678244 | French | EPUB | 180 pages | 0.2 MB

Au vu de la situation, la grande majorité des mouvements sociaux et écologistes échouent lamentablement. La plupart de ces mouvements se targuent de respecter scrupuleusement les principes de la non-violence, qu'ils considèrent comme la seule méthode de lutte acceptable. …
Spatial Economic Modelling of Megathrust Earthquake in Japan: Impacts, Reconstruction, and Regional Revitalization (Repost)

Spatial Economic Modelling of Megathrust Earthquake in Japan: Impacts, Reconstruction, and Regional Revitalization By Suminori Tokunaga
English | PDF,EPUB | 2017 | 361 Pages | ISBN : 981106492X | 12.76 MB

This book presents an evaluation of the impacts of megathrust earthquakes and tsunamis on regional economies and subsequent reconstruction, as well as regional revitalization by the spatial economic model and dynamic macro and regional computable general equilibrium (CGE) models. The cases examined are the Great East Japan Earthquake and the Indian Ocean Tsunami. The study constructs three models of these megathrust earthquakes and the associated tsunami.

Knowledge, Power, and Women's Reproductive Health in Japan, 1690–1945 (Repost)  eBooks & eLearning

Posted by AvaxGenius at May 22, 2018
Knowledge, Power, and Women's Reproductive Health in Japan, 1690–1945 (Repost)

Knowledge, Power, and Women's Reproductive Health in Japan, 1690–1945 By Yuki Terazawa
English | EPUB | 2018 | 332 Pages | ISBN : 3319730835 | 3.44 MB

This book analyzes how women’s bodies became a subject and object of modern bio-power by examining the history of women’s reproductive health in Japan between the seventeenth century and the mid-twentieth century. Yuki Terazawa combines Foucauldian theory andfeminist ideas with in-depth historical research. She argues that central to the rise of bio-power and the colonization of people by this power was modern scientific taxonomies that classify people into categories of gender, race, nationality, class, age, disability, and disease. Whilediscussions of the roles played by the modern state are of critical importance to this project, significant attention is also paid to the increasing influences of male obstetricians and the parts that trained midwives and public health nurses played in the dissemination of modern powerafter the 1868 Meiji Restoration.
Greg Lake - Greg Lake (1981) [Columbia Music Japan, VQCD-10173] Repost

Greg Lake - Greg Lake (1981)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2010 | Columbia Music Japan, VQCD-10173 | ~ 313 or 107 Mb | Scans(png) -> 204 Mb
Progressive Rock, Art Rock

After the breakup of Emerson, Lake & Palmer in 1978, Greg Lake set out to launch a solo career. He teamed up with guitar virtuoso Gary Moore and enlisted the talents of Bruce Springsteen's sax player, Clarence Clemmons, as well as Toto veterans Steve Lukather, David Paich, and Jeff Porcaro. The result was his 1981 self-titled debut album…
George Duke - Collection Japanese Remasters (1977-1984) [9CDs] {Epic Japan}

George Duke - Collection Japanese Remasters (1977-1984) [9CDs] {Epic Japan}
EAC 1.0b3 | FLAC Image level 8 | Cue+Log | Full Scans 300dpi | 3.11GB + 5% Recovery
MP3 CBR 320 Kbps | 1.24GB + 5% Recovery
Genre: Classic Jazz-Funk, Funk, Soul

George Duke was an American musician, known as a keyboard pioneer, composer, singer and producer in both jazz and popular mainstream musical genres. He worked with numerous artists as arranger, music director, writer and co-writer, record producer and as a professor of music. He first made a name for himself with the album The Jean-Luc Ponty Experience with the George Duke Trio. He was known primarily for thirty-odd solo albums, of which 'A Brazilian Love Affair' from 1980 was his most popular, as well as for his collaborations with other musicians, particularly Frank Zappa.
Oliver Nelson - Stolen Moments (1975) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9144}

Oliver Nelson - Stolen Moments (1975) {2015 DSD Japan East Wind Masters Collection 1000 UCCJ-9144}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 260 Mb | MP3 @320 -> 85 Mb
Full Artwork @ 600 dpi (png) -> 144 Mb | 5% repair rar | DSD Mastering
© 1975, 2015 East Wind Music / Universal Japan | UCCJ-9144
Jazz / Post Bop / Modern Jazz Group / Saxophone

Reissue with the latest DSD remastering. One of the last sessions Oliver Nelson ever recorded – a genius batch of work recorded for the Japanese East Wind label, and maybe one of his greatest albums ever! The set's a wonderful link between the sophisticated large group sounds that Nelson did for Impulse Records in the 60s, and some of the more expansive styles he was trying out on the Flying Dutchman imprint in the 70s – a batch of work that both has that sense of majesty that Nelson could command at his best, but which still retains an earthy vibe overall.
Paul Simon - Songwriter (2011) [Sony Music Japan, SICP-20340~41] Repost

Paul Simon - Songwriter (2011)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2CD | Sony Music Japan, SICP-20340~41 | ~ 855 or 335 Mb | Scans(png) -> 396 Mb
Folk Rock, Pop Rock

The title makes plain the intention of Paul Simon on this 2011 double-disc set: the focus is not on the hits but the songs, to the extent that his most famous song is not performed either by him solo or with Art Garfunkel, it is sung by Aretha Franklin, a selection that suggests this compilation will be more idiosyncratic than it is…
"Big" John Patton - Along Came John (1963) {Blue Note Japan SHM-CD UCCQ-5099 rel 2015} (24-192 remaster)

"Big" John Patton - Along Came John (1963) {Blue Note Japan SHM-CD UCCQ-5099 rel 2015} (24-192 remaster)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 245 Mb | MP3 @320 -> 81 Mb
Full Artwork @ 600 dpi (png) -> 156 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1963, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5099
Jazz / Hard Bop / Soul Jazz / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A really unusual album from the mighty Hammond giant John Patton – as the set features two tenor players in the group, both of them great! The tenor's no stranger to the sublime keyboard work of Patton – but here, the great one gets help from both Fred Jackson and Harold Vick – both of whom are at their early 60s soul jazz best, able to play with a hard edge, but also some surprisingly complicated moments too – which really fits into the spirit of Patton's overall groove!