This release is dedicated to some of the most famous settings of the Stabat mater, revealing the genre's varying treatment by composers over the centuries. From Palestrina's effective use of polyphony to Pergolesi's unusually sparse instrumental accompaniment, we move forward in time to contributions by Vivaldi and Haydn. These compositions rank among some of the most famous and affective music ever composed.
As a composer Pergolesi’s productive career began at the age of twenty, and by twenty-six (March 1736) he had died of tuberculosis. During his lifetime Pergolesi’s fame was restricted, in the main, to Rome and Naples, yet after his death, his reputation eclipsed most other composers in the second half of the eighteenth century. The whole of Europe developed an increasing curiosity for his compositions. His posthumous celebrity status was such a magnet in the music world that, hoping to reap large financial profits, publishers and opera directors alike attributed his name to hundreds of vocal and instrumental works by lesser-known composers. Following Pergolesi’s death the Stabat Mater became one of the most celebrated and frequently printed works of the 18th century.
As the old saying goes, "the third time's the charm." This is indeed the third time the German label Accent has issued this coupling of Domenico Scarlatti's Stabat Mater with João Rodrigues Esteves' Missa a oito voces. The first time was in 1990, when the recording by Currende under the leadership of Erik van Nevel was new, and the second in 1998 as part of a box set containing this and several recordings by Concerto Palatino. No complaints here, though, as this is one of the finest discs Accent has to offer.
New love, position, power, revenge, disguise, mistaken identity, complications and passionate devotion – the full spectrum of baroque opera seria is here in this new recording of Pergolesi’s ‘Adriano In Siria’. Franco Fagioli leads the cast, alongside Romina Basso, Yuriy Mynenko, Dilyara Idrisova, Juan Sancho and Cigdem Soyarslan, accompanied by the exuberant Polish orchestra Capella Cracoviensis under the baton of Jan Tomasz Adamus. Famed for his Stabat Mater, Pergolesi died aged just 26 but had already completed four opera seria; ‘Adriano in Siria’ is the third of these and has a libretto by Metastasio.
New love, position, power, revenge, disguise, mistaken identity, complications and passionate devotion the full spectrum of baroque opera seria is here in this brilliant, vivid setting of a powerful and moving story.
Pergolesi - a musical genius cut off in his prime. Famed for his Stabat Mater, even though he died aged just 26 he had already completed four opera seria; Adriano in Siria is the third of these. Composing for only around a decade before he succumbed to tuberculosis aged 26, Giovanni Battista Pergolesi was so well known for his music that the instant that his death was known, all Italy manifested an eager desire to hear and possess his productions …
Had Pergolesi not died young, his name would rank among the most stellar and influential of Italy’s 18th-century composers. Despite the brevity of his life – he died at 26 – Pergolesi created numerous deathless works
In this second album of Claudio Abbado’s Pergolesi Project, the renowned maestro conducts the Missa S. Emidio, Manca la guida al pie, Laudate pueri Dominum, and the Salve Regina in F minor. Abbado’s passion for this music meets these sacred compositions on the exalted level where they were composed… (The Times)
Giovanni Battista Pergolesi had a tragically short career, living just 26 years, and producing most of his mature works over a period of about five years. This album includes three of the composer's most representative pieces. The most familiar is the 40-minute Stabat mater for soprano, alto, and orchestra, which was the most frequently published composition of the 18th century. This version, featuring soprano Rachel Harnisch and contralto Sara Mingardo, makes a splendid introduction to the work and should be of interest to anyone who loves this poignant music. …
by Stephen Eddins
Marking 50 years since the death of French composer Francis Poulenc, star soprano Patricia Petibon is the soloist in new recordings of his most rapturously beautiful sacred works; “Gloria” and “Stabat Mater”. Conductor Paavo Järvi also makes his DG recording debut, conducting the Orchestre de Paris and their renowned choir.