Rhino Bucket joins forces with producer Eddie Spaghetti (Supersuckers) to deliver “The Last Real Rock n’ Roll,” a blistering collection of raw, Bon Scott-era boogie rock! Original members Georg Dolivo and Reeve Downes are joined by Brian “Damage” Forsythe (Kix) and ace drummer Dave DuCey on the Bucket’s seventh studio album. Georg – “Eddie came in and reminded us to be the band we were… bad ass.He matched us note for note with his fercious talent and insight!”
Of all the early rock & rollers, Fats Domino was the easiest to take for granted, since he made it all seem so easy. Even when it rocked hard, his music was so relaxed, so friendly that it sounded effortless and natural, which was part of the reason that his classic recordings for Imperial in the '50s were so consistently enjoyable. All the hits, many of their flips sides, and most of his album cuts were flat-out fun – maybe not as revolutionary as work by Little Richard, Buddy Holly, Chuck Berry, and the Everly Brothers, but his body of work for Imperial not only stands proudly next to theirs, but is just as influential. This much is clear after years of hindsight, but in the late '60s he was as passé as any of his peers, even if there were legions of new rockers, from the Beatles to Randy Newman, who were raised on his music.
"Eric Jones does some of the cleanest, smoothest, and most artful magic I've ever seen. And if that wasn't enough, his magic also happens to be totally mystifying!" Ken Weber, Author of Maximum Entertainment "Eric's hands do things that our minds can't understand. If he's teaching, I'm watching!!" Larry Wilmore, Writer, Comedian, Host of The Nightly Show "Eric Jones magic is always a delight to see. I love his pace, his style, his powerful tricks, and his great charisma. Eric is a great magician and an unique performer!" Woody Aragon
Its stick or twist for GoGo Penguin as they release this, their Blue Note debut and the first of a reputed three album deal. Do they push ahead, expanding their palette of electronica seen through the prism of acoustic jazz, or retreat a tad in deference to their new paymasters by emphasising the more traditional jazz elements of their sound. Should we be concerned that the two years since their breakthrough v2.0 album suggest a creative block or difficulty coping with the raised stakes? While they would hardly be the first act to lose their nerve on entering the major label big league, it is thankfully and emphatically not the case here as "Man Made Object" develops and builds on their early promise.
The Falkland Islands, in the south Atlantic, are a haven for penguins.