Paul Mccartney Many Years From Now

"Many years from now" must have seemed like an understatement to 16-year-old Paul McCartney, wondering if he'd still be needed or fed at the age of 64. As it turned out, all doubt as to the latter had ceased by his 22nd birthday (though few could have predicted he'd end up washing down those meals with the liquid pride of Seattle). As to the former? Now that McCartney, as of the date of this album's release, has reached that mythic age, his greatest work is 40 years behind him, his solo peak over 30 years gone…

Dennis DeYoung spent a fair chunk of his solo career denying the very sound of Styx (not quite the same thing as denying their songs, which he would continue to sing), going as far as Broadway to distinguish himself from the band and writing concept albums. One Hundred Years from Now, initially released in Canada in 2007 and appearing two years later in the States, retains some dramatic elements, but despite some heavy themes, it's more notable for its sound.

Kisses on the Bottom is the sixteenth solo studio album by Paul McCartney. The album's title, "Kisses on the Bottom", comes from the album's lead track "I'm Gonna Sit Right Down and Write Myself a Letter", originally a hit for Fats Waller in 1935. Said McCartney on the album, "I worked with Diana Krall, and great jazz musicians like John Clayton. This is an album very tender, very intimate. This is an album you listen to at home after work, with a glass of wine or a cup of tea."

Band on the Run is the third studio album by Paul McCartney and Wings, released in December 1973. It marked the fifth album by Paul McCartney since his departure from the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles - "Jet" and "Band on the Run" - such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works. In 2000, Q magazine placed it at number 75 in its list of the "100 Greatest British Albums Ever". In 2012, Band on the Run was voted 418th on Rolling Stone's revised list of "The 500 Greatest Albums of All Time".

Paul McCartney retreated from the spotlight of the Beatles by recording his first solo album at his home studio, performing nearly all of the instruments himself. Appropriately, McCartney has an endearingly ragged, homemade quality that makes even its filler – and there is quite a bit of filler – rather ingratiating. Only a handful of songs rank as full-fledged McCartney classics, but those songs – the light folk-pop of "That Would Be Something," the sweet, gentle "Every Night," the ramshackle Beatles leftover "Teddy Boy," and the staggering "Maybe I'm Amazed" (not coincidentally the only rocker on the album) – are full of all the easy melodic charm that is McCartney's trademark…

Paul McCartney must not only have been conscious of his slipping commercial fortunes, he must have realized that his records hadn't been treated seriously for years, so he decided to make a full-fledged comeback effort with Flowers in the Dirt…

One of the most critically acclaimed albums of the eighties, nominated for both BRIT and Grammy Awards, Flowers In The Dirt saw Paul McCartney team up with Elvis Costello to cowrite a third of the album ('My Brave Face', 'You Want Her Too', Don't Be Careless Love' and That Day is Done) as well as boasting production credits from producers such as Mitchell Froom, Trevor Horn, David Foster, Steve Lipson, Elvis Costello and Paul McCartney himself. Pink Floyd guitar legend David Gilmour makes an appearance on 'We Got Married' and George Martin s string arrangement on Put It There is amongst the many album highlights. 18 bonus audio tracks across 2 discs, featuring previously unreleased demos with Elvis Costello. Original B-sides, remixes and single edits, plus 3 previously unreleased tracks from a cassette demo (download only).