Paul Mccartney Many Years From Now

"Many years from now" must have seemed like an understatement to 16-year-old Paul McCartney, wondering if he'd still be needed or fed at the age of 64. As it turned out, all doubt as to the latter had ceased by his 22nd birthday (though few could have predicted he'd end up washing down those meals with the liquid pride of Seattle). As to the former? Now that McCartney, as of the date of this album's release, has reached that mythic age, his greatest work is 40 years behind him, his solo peak over 30 years gone…

Dennis DeYoung spent a fair chunk of his solo career denying the very sound of Styx (not quite the same thing as denying their songs, which he would continue to sing), going as far as Broadway to distinguish himself from the band and writing concept albums. One Hundred Years from Now, initially released in Canada in 2007 and appearing two years later in the States, retains some dramatic elements, but despite some heavy themes, it's more notable for its sound.

Paul McCartney must not only have been conscious of his slipping commercial fortunes, he must have realized that his records hadn't been treated seriously for years, so he decided to make a full-fledged comeback effort with Flowers in the Dirt…

Paul McCartney - The McCartney Years (2007) [3xDVD9] {Warner/MPL}
3xDVD9 -> 21.6 Gb | All Regions | PAL 16:9 | English (LinearPCM, 2 ch / DTS, 6 ch) | ~ 375m | ISO Images
Subs (en, fr, ger, esp, port, it, ned) | Full Artwork @ 300 dpi (tiff) -> 359 Mb | 5% repair rar
© 2007 Warner / MPL | 2564-69836-2
Rock / Soft Rock / Contemporary Pop

It's rather incredible to ponder the fact that with the release of The McCartney Years in late 2007, Paul McCartney has now been making recordings in various mediums for the better part of 40 years–and that's not even including the decade he spent as a member of the world's greatest band. And while some may quibble about certain details of the content and presentation, this three-disc set, packed with videos, concert footage, interviews, documentaries, and more, will surely satisfy the vast majority of Sir Paul's loyal subjects. The dozens of videos, occupying the first two discs and spanning the years from 1970 ("Maybe I'm Amazed," ten years before the emergence of MTV) to 2005 ("Fine Line"), can be viewed in either chronological order or as programmed by Macca himself. Ranging from straight lip-synced performances to various conceptual films, they are a decidedly mixed bag.

Rockshow, the long-awaited concert film documenting Paul McCartney & Wings historic 1976 Wings Over America tour, is better than it really has any right to be…

Kisses on the Bottom is the sixteenth solo studio album by Paul McCartney. The album's title, "Kisses on the Bottom", comes from the album's lead track "I'm Gonna Sit Right Down and Write Myself a Letter", originally a hit for Fats Waller in 1935. Said McCartney on the album, "I worked with Diana Krall, and great jazz musicians like John Clayton. This is an album very tender, very intimate. This is an album you listen to at home after work, with a glass of wine or a cup of tea."

Band on the Run is the third studio album by Paul McCartney and Wings, released in December 1973. It marked the fifth album by Paul McCartney since his departure from the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles - "Jet" and "Band on the Run" - such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works. In 2000, Q magazine placed it at number 75 in its list of the "100 Greatest British Albums Ever". In 2012, Band on the Run was voted 418th on Rolling Stone's revised list of "The 500 Greatest Albums of All Time".

Paul McCartney retreated from the spotlight of the Beatles by recording his first solo album at his home studio, performing nearly all of the instruments himself. Appropriately, McCartney has an endearingly ragged, homemade quality that makes even its filler – and there is quite a bit of filler – rather ingratiating. Only a handful of songs rank as full-fledged McCartney classics, but those songs – the light folk-pop of "That Would Be Something," the sweet, gentle "Every Night," the ramshackle Beatles leftover "Teddy Boy," and the staggering "Maybe I'm Amazed" (not coincidentally the only rocker on the album) – are full of all the easy melodic charm that is McCartney's trademark…