First up is Big Bill Broonzy pulling out all the stops for a smokey bistro set in '56 and '57, followed by a Roosevelt Sykes studio session from '61. Songs include The Honeydripper; Night Time Is the Right Time; Sweet Old Chicago; House Rent Stomp; Saturday Night Blues; Guitar Shuffle, and more.
This disc offers a handful of performances from musical legends Elizabeth Cotton and Jesse Fuller. The disc offers a standard full-frame transfer. The English soundtrack is rendered in Dolby Digital Mono. There are neither subtitles nor closed captions on this release. Although there are no supplemental materials of any consequence on this Shanachie title, enthusiasts of the music will surely find it to be a valuable addition to a DVD collection.
In 1959, John Lee Hooker signed a one-off deal with the Riverside label to record an acoustic session of the country blues. It was a key change from his earlier recordings, most of which had featured Hooker on an electric guitar with his trademark reverb and stomping foot. Folk purists of the day were delighted with COUNTRY BLUES, believing Hooker had returned to his roots, leaving the "glitzy commercialism" of R&B behind. But some Hooker fans considered COUNTRY BLUES a "betrayal" of his true sound.
Few Texas bluesmen have dominated their time and place as much as Lightnin' Hopkins. He was the leading performer of traditional Texas blues for over 35 years. In the first part of this video, Lighnin' talks of his career as a bluesman and creator of songs as well as being presented in both informal and concert performances.
Sam (Lightnin') Hopkins was born in Centerville, Texas, March 15th, 1912. Inspired by his brother, he took up guitar at an early age and as a youth met the legendary Blind Lemon Jefferson.
For over 35 years, Texas bluesman Lightnin' Hopkins was known as the leading performer of traditional Texas blues, his distinctive guitar style and sly mix of humor and tradition mixing to make him one of the most popular performers of his day. Moving from the guitar to the piano, Elmar, AR, native Roosevelt Sykes' influential style led to a successful recording career that endured for over half a century. In this release, both musicians sit down to discuss their rich legacies before offering evidence as to just how they made their mark in music history with a pair of unforgettable performances.
John Lee Hooker and Furry Lewis represent generational markers in the development of traditional blues in Memphis and Mississippi. Furry, born around the turn of the century, incorporated ragtime, ballads and other types of secular black music in his repertoire along with the blues. Hooker, born in 1917 in Clarksdale, the heart of the Mississippi delta, was suffused with the blues that by then had become the predominant music of the area. Yet his approach was totally unique and became one of the building blocks of rock and roll.John Lee Hooker: John Lee Hooker learned guitar from his stepfather, William Moore, who played with Charley Patton.
This collection of rare television appearances from legendary blues artists Lightnin' Hopkins and Mance Lipscomb has been given a simple presentation for its release on DVD. Masters of the Country Blues: Mance Lipscomb and Lightnin' Hopkins has been transferred to disc in the full-frame aspect ratio of 1.33:1, and the audio has been mastered in Dolby Digital Mono. The songs are performed in English, with no multiple-language options. No bonus materials appear on this edition, but the increased audio and visual fidelity, along with the ease with which individual songs can be accessed, will doubtless make this the preferred purchase for blues fans over the original VHS edition.
In the bearly part of the 20th century, Mississippi was still ultimately a slave state. Masters of the Country Blues - Son House and Bukka White video The Delta region had recently been cleared of wilderness, and profitable plantations had sprung up, attracting African-American workers to sharecrop. Unfortunately, Jim Crow laws were in effect that made sure these workers stayed tied to the lowest level of society. Masters of the Country Blues - Son House and Bukka White film Around the same time, a new form of music popped up: blues. Masters of the Country Blues - Son House and Bukka White review The blues spread through Mississippi and infected Son House and Bukkha White, now recognized as two of the form's most influential figures.