Paul Cobley

The Routledge Companion to Semiotics and Linguistics [Repost]  eBooks & eLearning

Posted by ChrisRedfield at Aug. 30, 2014
The Routledge Companion to Semiotics and Linguistics [Repost]

Paul Cobley - The Routledge Companion to Semiotics and Linguistics
Published: 2001-09-21 | ISBN: 0415243130, 0415243149 | PDF | 352 pages | 3 MB

The Routledge Companion to Semiotics and Linguistics  eBooks & eLearning

Posted by tot167 at Jan. 14, 2009
The Routledge Companion to Semiotics and Linguistics

Paul Cobley, "The Routledge Companion to Semiotics and Linguistics"
Routledge | 2001-09-21 | ISBN: 0415243130 | 416 pages | PDF | 1,5 MB

Guitarist Presents: Gibson Les Paul Handbook (2017)  Magazines

Posted by crazy-slim at April 27, 2017
Guitarist Presents: Gibson Les Paul Handbook (2017)

Guitarist Presents: Gibson Les Paul Handbook (2017)
English | 150 pages | True PDF | 31 MB
Theatre of Voices, Paul Hillier - Dietrich Buxtehude and his Circle: Geist, Bruhns, Tunder, Förster (2016)

Theatre of Voices, Paul Hillier - Buxtehude and his Circle (2016)
Dietrich Buxtehude - Christian Geist - Nicolas Bruhns - Franz Tunder - Kaspar Förster

EAC | FLAC | Image (Cue&Log) ~ 347 Mb | Mp3 (CBR320) ~ 180 Mb | Artwork included
Genre: Classical, Baroque | Label: Dacapo | # 6.220634 | Time: 01:15:31

Dietrich Buxtehude was not only the greatest organ virtuoso of his time and a celebrated composer of both sacred and secular music; he was also a highly enterprising and innovative artist with a unique ability to form networks around himself. This CD, conceived by Theatre of Voices and Paul Hillier, gives a rare insight into the circle around Buxtehude – a musical circle of time, place, friendships, teacher-pupil relationships and even family ties; a network of excellent composers from northern German musician families, all of whom worked in or migrated to Scandinavia in the course of the 1600s.
Paul d'Estournelles de Constant, "La conquête de la Tunisie, récit contemporain couronné par l'Académie Française"

Paul d'Estournelles de Constant, "La conquête de la Tunisie, récit contemporain couronné par l'Académie Française"
Sfar | 2002 | ISBN: 2951193696 | French | PDF | 442 pages | 1.9 MB

Son charme et sa position stratégique valurent à la Tunisie des vagues incessantes d'envahisseurs depuis la fondation de Carthage. La France a été la dernière puissance à y tenter sa chance. …

Paul Thorn - Too Blessed To Be Stressed (2014)  Music

Posted by Designol at April 24, 2017
Paul Thorn - Too Blessed To Be Stressed (2014)

Paul Thorn - Too Blessed To Be Stressed (2014)
EAC | FLAC | Image (Cue&Log) ~ 273 Mb | Mp3 (CBR320) ~ 99 Mb | Scans ~ 70 Mb | Time: 00:43:14
Roots Rock, Blues Rock, Electric Blues | Label: Perpetual Obscurity | # POR 2014

Tupelo, Mississippi's Paul Thorn has a knack for synthesis. His father was a Pentecostal preacher, so Thorn grew up with gospel, but he noticed that, in his own words, "white people sang gospel like it was country music, and the black people sang it like it was rhythm & blues," and a mix of the two gospel styles – with some gutbucket blues, old-time rock & roll, a sharp pop sense, and a gift for good old storytelling thrown in – pretty aptly describes Thorn's own brand of inspirational roots rock. Like the professional boxer he once was, he drives his music home with patience, skill, and purpose, putting his own restless energy at the heart of things. This set of originals, which follows 2012's What the Hell Is Goin' On?, an album of covers, finds Thorn at his best, and no song here even comes close to being filler. Thorn writes about his native South and its characters with incisiveness, and that old Saturday night/Sunday morning split between the secular and the sacred has always been his favorite theme, the notion that you can mess up, fall from grace, and then still find some kind of personal redemption is what makes Thorn's blend of gospel country rock and R&B sound so naturally joyous.

Jean-Paul Doguet, "L'art comme communication"  eBooks & eLearning

Posted by TimMa at April 24, 2017
Jean-Paul Doguet, "L'art comme communication"

Jean-Paul Doguet, "L'art comme communication"
Armand Colin | 2007 | ISBN: 2200347057 | French | EPUB | 266 pages | 0.4 MB

Une contribution au débat sur « la fin » ou « la crise » de l'art. Une thèse : l'art n'est pas un langage, mais une forme spécifique de communication.
Cet essai examine l'essence de cette communication, et ce qui la différencie de la communication par le langage articulé, autour de trois problèmes distincts : la relation de l'art à la technique, la nature de l'oeuvre, la nature de ce qui est communiqué par l'art et le lien que celui-ci entretient avec les débats esthétiques. …

Paul Auster - Collected Poems  eBooks & eLearning

Posted by Jeembo at April 22, 2017
Paul Auster - Collected Poems

Collected Poems by Paul Auster
English | 2004 | ISBN: 1585674044 | 205 Pages | PDF | 2.6 MB

Paul Auster's penetrating and charged verse resembles little else in recent American poetry. This collection of Auster's poetry, translations, and composition notes from early in his career do much to reinforce the idea that Paul Auster is, indeed, a unique and masterful figure in the literary world.
Founder of Modern Economics: Paul A. Samuelson: Volume 1: Becoming Samuelson, 1915-1948

Founder of Modern Economics: Paul A. Samuelson: Volume 1: Becoming Samuelson, 1915-1948 (Oxford Studies in History of Economics) by Roger E. Backhouse
2017 | ISBN: 0190664096 | English | 760 pages | PDF | 4 MB
Nigel Kennedy, Paul Tortelier - Tchaikovsky: Violin Concerto, Rococo Variations (1993)

Nigel Kennedy, Paul Tortelier - Tchaikovsky: Violin Concerto, Rococo Variations (1993)
EAC | APE (image+.cue, log) | Covers Included | 56:11 | 211 MB
Genre: Classical | Label: EMI Classics | Catalog: 0777 7 54890 2 6

Nigel Kennedy’s repackaged 1986 recording of the Tchaikovsky Violin Concerto is an adventure – free, rhapsodic, emphasising the constant flow of song which is the work’s main asset. Perhaps he’s a little over-keen to emphasise what melancholy there is here, nearly bringing the outer movements to a halt with the bitter-sweet dreams of second subjects, but the Canzonetta is a miracle of introspection. All this passes Gil Shaham by. While the young Israeli clearly has a fabulous palette, conjuring a bright, beautiful sheen at the top of the instrument (though unduly spotlit by DG), he rarely uses it discriminatingly enough, and the sense of flexible movement so vital for the Tchaikovsky is missing.