From the outside, Primal Scream seem suitably chaotic, flitting between noise-skronk explorations and dub operas, but there's one truism that applies to the bulk of their career: if they delivered a good album last time around, they'll stumble on the next. More Light, the messy, candy-colored, psychedelic opus they delivered in 2013, found the band at something near their best, so it only follows that 2016's Chaosmosis would be something of a mess – and it is, only in an unexpected fashion.
An all-star cast assists Maynard Ferguson in this disco-tinged big-band outing. Ferguson's trademark trumpet playing is featured in all its screaming glory, and Mark Colby contributes a couple of high-energy sax solos. "Primal Scream" and "Invitation" sound as though they were lifted right off the mid-'70s disco dancefloor, complete with T.S.O.P.-type strings and pulsing rhythms. "Pagliacci," too, has the disco beat pounding underneath a Jay Chattaway adaptation of an operatic melody, with Bobby Militello featured on an energetic, overblown flute solo. Chick Corea's "The Cheshire Cat Walk" sounds like latter-day Return to Forever, as Corea's synth trades licks with Ferguson's horn over a familiar RTF rhythmic/chordal bassline sequence. The final cut, Eric Gale's "Swamp," stands out because of its reggae beat.
AirSculpture are a UK-based trio that first entered the UK “Electronic Music” scene back in the mid-90’s. They first emerged not far behind RMI (Radio Massacre International) and together the two bands formed the backbone of the UK’s answer to the early 70’s output of Germany’s Tangerine Dream with their many improvised "Berlin School" style sound sculptures…
Primal Scream always refracted the past through the prism of the present, turning hero worship into something resembling high art. It wasn't always this way, not at the start, when they were part of the delicate, brittle C86 scene, nor was it true when they exploded in a brilliant blast of acid house on Screamadelica. The art came later, after they halted their ascendency via the Stones-aping Give Out But Don't Give Up, a move that in retrospect seems to be an important final foundation within the construction of Primal Scream but at the time seemed odd, halting, flying in the face of Cool Britannia.
This feature documentary tells the story of 2 Inuit communities of the circumpolar north—one on Canada’s Baffin Island, the other in Northwest Greenland—that are linked by a migration led by an intrepid shaman. Navarana, an Inughuit elder and descendant of the shaman, draws inspiration and hope from the ties that still bind the 2 communities to face the consequences of rapid social and environmental change.