MUSIC focuses on finely crafted handmade instruments and the world renowned artists who play them, demonstrating the perfect blend of form and function. By exploring how various instruments are perfected, MUSIC also offers viewers a unique journey through our country’s past, detailing the contributions of jazz and Appalachian roots music to the American cultural landscape, as well as the intersection of the guitar and political activism, and how the legacy of West African instruments is embedded in the American banjo. MUSIC features interviews and performances from Joan Baez, Rhiannon Giddens, Director of the Count Basie Orchestra Scotty Barnhart, banjo master Tony Ellis, Los Angeles Philharmonic timpanist Joseph Pereira, and virtuoso ukulele player Jake Shimabukuro. Instrument makers featured are Martin Guitar, Hartel Banjos, Monette trumpets, Stelling banjos, and Kamaka ukuleles.
Jean Roger-Ducasse was born in Bordeaux on 18 April 1873. He studied at the Paris Conservatoire from 1892 and in 1895, along with Ravel, joined the composition class of Gabriel Faure. In 1902 he won the second Grand Prix de Rome with his cantata Alcyone, with Ravel gaining fourth prize. He had a very active role in musical life in Paris founding the Societe Musicale Independante in 1909 and gaining the position of inspector general for the teaching of singing in Paris schools in 1910.
This recording showcases both the rich variety and the sonic surprises to be heard in contemporary Chinese piano music. Myth and landscape loom large. Pulitzer Prize-winner Zhou Long’s Pianobells takes legend as its inspiration in an evocation of sonorous bells borne on the wind. For Doming Lam the goal is reinterpreting Chinese ancient melodies and imitating gongs and drums to evoke the atmosphere of Chinese opera. For Grammy Award winner Tan Dun, his Eight Memories are a ‘diary of longing’ – musical watercolours inspired by folk music.
Khachaturian trio was founded as trio “Arsika” in 1999. It has toured extensively throughout the USA, Central and South America, Switzerland, United Kingdom, Germany, Austria, China, Bulgaria, Czech Republic, Australia, Moldova, Georgia, Lithuania, Latvia, Russia and Armenia. …
Does music add substance to words or is music inspired by them? Songs of departure and farewell are deeply rooted in the great tradition of British choral music, nourished by ancient myths of testing journeys, wayside transformations and homecomings. The transcendent nature of music and the power of poetry to challenge and alter perceptions of reality – harnessed by English composers over many centuries – flow through a programme that invites contemplation of life and death, of love and loss, creation and eternity. In a journey covering six centuries of musical history, The Sixteen performs a cappella anthems with powerful texts by writers as varied as Edmund Spenser, Christopher Fry and W.H. Auden.
The new solo album of Toyohiko Satoh, the 72 year old Japanese lutenist who is considered my many as one of the most influential lute players of the last century, presents a well-known repertoire of baroque lute music. Mr. Satoh was the first lutenist to record Bach’s lute music on LP in the 70s (Phillips). Now he returns to this music 40 years later, delivering a completely different rendering of these iconic pieces. His playing has been influenced much by his studies of traditional Japanese arts such as tea ceremony, No-theater and Zen meditation. So here we are presented a recording that draws from the deep silence within, from the awareness of everything in the universe being connected, and from the understanding of Bach’s music as a universal, almost superhuman symbol of completeness.