Christopher Wrench commands a broad solo repertoire including the complete organ works of Bach, whilst also working as a liturgical musician, pedagogue & chamber player. He teaches organ at the Queensland Conservatorium Griffith University & directs the music programme at St Mary’s Anglican Church, Kangaroo Point in Brisbane. In 2008 he was awarded the Lord Mayor’s Australia Day Cultural Award for his outstanding contribution to the musical life of Brisbane.
Norwegian folk musician Sinikka Langeland, singer and player of the kantele (the Finnish table harp) is a distinctly non-traditional traditionalist, redefining "folk" in successive projects. 'Maria's Song' finds her in the company of two distinguished classical musicians - organist Kare Nordstoga and "giant of the Nordic viola" Lars Anders Tomter - and on a mission to restore Marian texts to sacred music, weaving folk melodies in between the timeless strains of J S Bach. Langeland made a lot of friends with her sparkling ECM debut Starflowers: "There are jewels everywhere on this arresting example of ego-free music-making. One of the albums of this or any other year" raved the Irish Times. Where Starflowers brought Langeland into the orbit of jazz improvisers, Maria's Song is a meeting and cross referencing of folk and 'classical' energies, and also a righting of historical 'injustice': Religious folk songs are amongst the most distinctive elements of the Norwegian folk tradition, yet the Virgin Mary rarely appears in them. Once a much-worshipped figure in the Far North she was, as Sinikka puts it, "reformed" away in 1537, so this album brings Maria back into the music. It was recorded in the beautiful Nidaros Cathedral of Trondheim, famous for its Baroque organ heard here.
It’s now time for a release with the famous German organist Helmut Walcha. This is the first of initially 4 releases with Walcha playing J. S. Bach. He recorded the complete works by J. S. Bach twice, from 1947-1950 in mono on the Schnitger organ in Cappel and in St. Jakobi in Lübeck and 1956-1971 on the famous organ in Alkmaar. This release is from the Alkmaar serie and is therefore in stereo. A quite interesting thing is to compare it with the IHORC14 release, where Fernando Germani plays the exact same organ about two years later…
High Quality Non-Compressed Japanese Import SACD! Superior Sound!
Organist Ales Barta performs compositional works by J.S. Bach, Brahms, Liszt, Franck, Boellmann, and Messiaen.
This Exton Laboratory Gold Line Hybrid Stereo disc is a high quality non-compressed Japanese Import SACD. Recorded on a custom Sony DSD recorder, this audiophile SACD is packaged in an XRCD-like luxury digipak. This disc includes a booklet with detailed microphone and equipment diagram and placement used for each individual recording! Superior quality Japanese Import SACD, manufactured in Yokohama, Japan. Only the best recordings - technically and artistically!
The recipient of the 2012 City of Leipzig Bach Medal, Masaaki Suzuki has earned an enviable reputation as an interpreter of the music of J. S. Bach as a reviewer in Intl Record Guide has put it: 'With Suzuki you can hear Bach's heart beat'. To a wide audience he is known as the director of Bach Collegium Japan, and the moving force behind the ensemble's acclaimed recordings of Bach's complete sacred cantatas. Perhaps less well known is that he began his career at the age of 12! playing the organ at church services in Kobe, where he was born. Suzuki has remained true to the organ throughout his life, and for BIS he has previously recorded Bach's German Organ Mass, as well as programs of Buxtehude and Sweelinck. He here appears on a disc combining some of Bach's best-loved works for the instrument, including the D minor Toccata and Fugue, the Partitas on O Gott, du frommer Gott, BWV 767, the Canonic Variations, BWV769, and the celebrated Prelude and Fugue in E minor, BWV548.
With The All-Baroque Box we realize one of our fondest dreams: harnessing the deep catalogue of Archiv Produktion (supplemented on occasion by Decca L oiseau lyre recordings) to create a comprehensive collection of great music from Monteverdi to Bach. The music ranges from huge Baroque (Missa Salisburgensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (the Goldberg Variations, Bach cello suites, solo cantatas) overwhelming in its impact and emotional content.
In a church in a quiet northern Italian town survives a hidden jewel: an organ dating from 1749 which is perfect for Bach’s music. In this recording, renowned Italian organist Luca Guglielmi presents a fine sequence of some of Bach’s finest keyboard works, played on the historic organ in the Chiesa di San Nicolao, Alice Castello. The programme is compiled from works by Bach collected by two eighteenth century scholars, Padre Martini and Friedrich Wilhelm Rust, which would surely have been performed in the famous Abbey of Montecassino, a magnet for musical travellers on ‘The Grand Tour’. Martini and Rust played a major role in the creation of the first collected edition of Bach’s works. Guglielmi’s neatly-structured programme includes the brilliant Fantasia Chromatica, the solemn Fuga sopra il Magnificat, the fine Fantasia pro Organo in C minor and the great Fantasia & Fuga pro Organo, as well as Preludes and Fantasias, Duetti from the Clavierübung and seven Chorales for the Catechism, all demonstrating the vivid colours of this remarkable instrument.
Andreas Silbermann (16 May 1678 - 16 March 1734) was a German organ builder, who was involved in the construction of 35 organs, mostly in Alsace. Andreas also established the Silbermann family tradition of organ building, training his brother Gottfried and his son Johann Andreas in the profession.
The C minor Passacaglia and Fugue is one of the great masterpieces for the instrument and one which inspired countless responses from composers great and lesser. So it's all the more astonishing to think that Bach wrote it while still a twenty‐something hireling in Weimar, where his Kapell meistership to the Duke ended badly with the composer being clapped in irons for touting his availability for other jobs, frustrated as his ambition was by the restrictions of the position.