This set includes two of the rarest and hardest to find of all recordings: the 1958-59 version of the Bach Cello Suites by Janos Starker – the one everyone says his later recordings cannot match – and the extremely beautiful performance of Bach's unaccompanied violin sonatas and partitas – the one that Japanese collectors pay 3-digit dollar prices for – in outstanding EMI Digital Re-Masterings.
The father of the Baroque period, Johann Sebastian Bach is one of the greatest composers of all time. His works, covering a wide range of instruments and voice types, continue to flourish to this day, forming a core part of musical learning. This special disc brings together the Trio Sonatas BWV525–530, works that originally appeared in a manuscript of works for organ. In this form, the pieces naturally became part of Bach’s teaching – a notable contribution to his oldest son Wilhelm Friedemann’s virtuoso organ technique.
Thoroughly trained by his father Johann Sebastian, Wilhelm Friedemann Bach became renowned as a virtuoso harpsichordist and organist. His surviving organ music includes the seven choral preludes and ten fugues on this disc, which range from relatively simple settings to elaborate displays of counterpoint. Born in Rio de Janeiro and based in the USA, Julia Brown, who has made several acclaimed recordings of keyboard music by Buxtehude and Scheidemann for Naxos, has been praised as ‘a first-class artist and superb technician … an exceptionally sensitive stylist’.
This recording brings together all the arrangements for harpsichord by Bach of instrumental concertos by his Italian contemporary Antonio Vivaldi, adding those of one concerto each by the brothers Alessandro and Benedetto Marcello. They are performed by Sophie Yates who has made a series of solo CDs for Chandos, many of which have won international awards. She has been described by Gramophone as ‘hugely talented’ and by BBC Music as playing ‘with exceptional poise’.
Winner of a Diapason d'Or and a Choc du Monde la Musique. The greatest recording of the organ works of Buxtehude by specialist Bernard Foccroulle, who uses five historic and modern instruments to shed a new light on the richness and variety of this repertory.
After its successes in the field of German Baroque religious music, here VOX LUMINIS proposes the first complete recording of the motets by Johann Sebastian Bach's ancestors. These motets, most of which are written for double choir, blend the old tradition inherited from the polyphony of the Renaissance with expressive work inspired by the fashions of the madrigal. The chorale melodies that are quite frequently associated with these motets contribute this colour typical of the Lutheran liturgical repertoire.