"This Grammy winner, one of the most successful versions of Puccini's final opera, offers Nilsson's first recording of the title character, and Bjoerling's last operatic portrayal on disc, including a heroic, for-the-ages "Nessun dorma". The extraordinary orchestration, befitting a story set in ancient China, benefits from the new DSD remastering."
The Cello Concerto No.1 in C Major, Hob. VIIb/1, by Joseph Haydn was composed around 1761–1765 for longtime friend Joseph Weigl, then the principal cellist of Prince Nicolaus's Esterhazy Orchestra. The work was presumed lost until 1961, when musicologist Oldrich Pulkert discovered a copy of the score at the Prague National Museum. Though some doubts have been raised about the authenticity of the work, most experts believe that Haydn did compose this concerto.
"…Recorded in 1955 and 1958, respectively, these performances with the phenomenal Boston Symphony Orchestra sound magnificent with the spacious separation and the close simulation of a real orchestral environment made possible by DSD and multichannel remastering. Beyond the superb audio quality, these recordings are fascinating documents of Münch's elegant interpretations of Schubert…."
"…I feel with this recording, Michael Stern and the Kansas City Orchestra are now major player's in the classical music world. Superb!! Highly recommended." ~sa-cd.net
…On this release Reiner and his orchestra are in glorious form. The quality of these Strauss family waltzes can survive even the most inept amateur and hand-organ grinder. In the hands of Reiner, however, the waltzes sound marvellous and are a real joy. Reiner was conducting in Vienna as early as 1915 and one can clearly hear that the Viennese stamp of authenticity is attached to these performances. The spirit of Vienna is also perpetuated with the Chicago Symphony having several Vienna-trained members at the time of these recordings. Reiner is able effortlessly to adapt to the contrasting moods and fast-changing tempos. He manages to deliver real excitement and an anticipation of what is to come next. He knows how to obtain the slight buoyancy on the second beat, an almost inaudible accent after an almost inaudible pause…
"…This new Belohlavek version gives us the best of both worlds by combining nobility of utterance and a passionate advocacy of this stirring music in glorious 5.0 multi-channel sound.
The committed playing of the BBC Symphony Orchestra in both works exemplifies their respect both for Belohlavek as arguably the finest interpreter of Czech music alive today and their enthusiasm for the composer's regrettably still neglected output. This SACD is a mandatory purchase for lovers of Suk's opulent scores and audiophiles alike." ~sa-cd.net
…There is no doubt in my mind that this Kullervo from Segerstam and his team is exceptionally fine and in the first rank of the ever-growing list of recordings. Spano's deeply thought and excellently performed account would also merit a first ranking. But I find Segerstam to have produced the most psychologically realistic Kullervo performance, thanks to the depth of characterisation uncovered by Hakala and Isokoski in the seemingly unpromising and dificult texts of the Kalevala verses. Segerstam comes close to Berglund's powerful first recording from 1970, which allowed many of us to encounter this unforgettable work. The state-of-the art fidelity of Ondine's engineering is a great advantage in itself. While quintessentially Finnish, Ondine's production nevertheless fulfils Sibelius' intent to make this music universal in appeal. Warmly recommended.