Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer.
Although he died at an early age, Schubert was tremendously prolific. He wrote some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. Appreciation of his music during his lifetime was limited, but interest in Schubert's work increased dramatically in the decades following his death at the age of 31. Franz Liszt, Robert Schumann, Johannes Brahms and Felix Mendelssohn, among others, discovered and championed his works in the 19th Century. Today, Schubert is admired as one of the leading exponents of the early Romantic era in music and he remains one of the most frequently performed composers.
Today we take high fidelity sound quality for granted, but how did it start? When was the moment when compressed and scratchy sound gave way to natural, realistic sound that captured the whole picture of a performance?
Decca Sound ‘Mono Years’ seeks to answer that question and shows how, 70 years ago, amidst war-time privations, a small team at Decca made technological breakthroughs that brought hi-fi to the world. This latest cube explores Decca’s earliest high-fidelity history, and restores some restores critically acclaimed albums from ensembles such as the Trio di Trieste, Quintetto Chigiano and Griller Quartet which have not been available since their original LP release more than sixty years ago. An equally impressive array of soloists includes pianists Clifford Curzon, Julius Katchen, Friedrich Gulda and Moura Lypmany and violinists Ruggiero Ricci and Alfredo Campoli. Several generations of cellists are represented with recordings by Pierre Fournier, Maurice Gendron and Zara Nelsova.
Sam Phillips didn't record anybody else the way he recorded Jerry Lee Lewis. With other artists, he pushed and prodded, taking his time to discover the qualities that made them uniquely human, but with Jerry Lee, he just turned the tape on and let the Killer rip. There was no need to sculpt because Lewis arrived at Sun Studios fully formed, ready to lean back and play anything that crossed his mind. Over the course of seven years, that's more or less how things were run at Sun: Lewis would sit at the piano and play, singing songs that were brought to him and songs that crossed his mind, and Sam never stopped rolling the tape.
For 30 years Michel Plasson has recorded French music exclusively for EMI Classics. This exclusive box is truly unique as it covers all the masterpieces of French repertoire: concertos by Ravel, Fauré's Requiem, Berlioz's Symphonie Fantastique, Bizet's only symphony, L'Arlesienne; Lalo's Symphony; etc . . .
This 20-disc box set has been entertaining me for several months. Dutch pianist Ivo Janssen set up his own record label to distribute his 1997 Goldberg Variations, recorded on the hoof over two days in Haarlem. Its success prompted him to tackle Bach’s complete keyboard output. And there’s a sense of fly-by-night impetuosity about some of these performances, all taped in the same venue with the same producer, the cycle finally finished in 2009.