A spinoff of its parent magazine, Classic Rock Presents Prog takes a look at progressive music and the artists who weave them together. Each issue takes a soul-searching foray into the hearts and minds of the heroes of rock, reviewing both new and old releases. Building upon the history of some of the most genre-defining pieces ever devised and those who followed who continue to refine, revolutionise and completely discard the formulas of those who came before. Reflecting on the proud genesis of this unexpected genre, Classic Rock Presents Prog is an able tutor for those in the dark about the evolution of progressive music, and a tonic for existing fans.
With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai…
Originally released in 1985, R.E.M.'s 3rd album, Fables of The Reconstruction peaked at #28 on the Billboard charts and spawned two hit singles, Can t Get There From here and Driver 8. Breaking with their tradition of recording in Athens GA, the band recorded in England with producer Joe Boyd. This 25th Anniversary Edition features the classic album digitally remastered. The bonus disc is a complete run thorugh of the album done in studio in Athens, before the band left for London for the actual recording sessions. These demos have never before been released and feature three additional tracks, not on the final album, including "Throw Those Trolls Away, " a song the band has never released. The albums are packaged in a lift top box and include a poster and 4 postcards, as well as the CD booklet.
Squeeztone Recording Artists, the Cedarsqueezers are proud to announce thier second CD "El Chupacabra," to be released on July 30, 2010. Featuring an array of top musical talent from Austin and San Antonio, including Lloyd Maines, Grammy Award winning producer of the Dixie Chicks critically acclaimed CD "Home."
There is no complete surviving score for Vivaldi's Ercole su'l Termodonte, but there is enough existing material that modern scholars have been able to reconstruct it primarily by making new settings of the lost recitatives. The first production of the opera since Vivaldi's time was at Spoleto in 2006 in a version by Alessandro Ciccolini, which was released as a DVD. Conductor Fabio Biondi made a version introduced in Venice in 2007, which is recorded on this 2010 Virgin CD. Biondi's recording has the advantage of two international superstars in the leading roles, tenor Rolando Villazón and mezzo-soprano Joyce DiDonato, and soprano Diana Damrau is nearly in their league. Villazón's earthy voice is usually associated with 19th century and verismo Italian repertoire, but he has an acute sensitivity to Baroque vocal style, and his robust, almost baritonal tenor is entirely appropriate for a larger-than-life character like Hercules. DiDonato excels as Hippolyta, Queen of the Amazons, singing with her characteristic brilliance and warm humanity.
Paolo Fresu's Songlines/Night & Blue is a beautiful performance by a musician who does not feel compelled to prove himself with pyrotechnics. Instead, on this two-disc set, the Italian trumpeter prefers speaking his piece with lush melodies and a rich full horn sound, supported by an exceptional quartet. Being an Italian album, it seems appropriate to use a few musical terms. The entire affair, around 140 minutes in length, is taken sostenuto (smoothly), with a pace that slides between adagio (slowly) and andante (walking), but never goes much faster than that. But this down-tempo consistency should not be confused with sloth. Everything here is tightly played, with some real intensity from the musicians; it's just not going to wake the neighbors with frenetic thunder.
It’s hard to be ambivalent about Zooey Deschanel. She’s a polarizing personality, one whose deadpan movie roles and big Bambi eyes are either charming or too cute for their own good. The same can be said for She & Him, a soft rock duo that features Deschanel doing what she does best as a film star: acting utterly adorable alongside a quiet, talented male character. Her co-star in this case is M. Ward, who produces the band's second album and frames Deschanel’s voice with a Spector-sized pile of instruments. Those who already take issue with Zooey’s acting will almost surely pick this record apart – it’s too reminiscent of her cutesy turns in movies like (500) Days of Summer to change many minds – but for fans of retro pop (and Deschanel in general), Volume 2 is a gem. Whether they’re copping the Brill Building sound or resurrecting ‘70s beach-pop, She & Him always seem to have nostalgia on the mind.
The Country Music Association of Australian and EMI Music have enjoyed a long and prestigious relationship for close to 20 years, with the annual release of the "Winners" compilation, collecting together the finalists from the Tamworth Golden Guitar Awards every year. Now comes this stunning double CD collection of timeless favourites from the superstars of the local country music scene, featuring Lee Kernaghan, Slim Dusty, Adam Brand, Adam Harvey, Beccy Cole, James Blundell, Kasey Chambers, Troy Cassar-Daley, Gina Jeffreys, John Williamson and many more.