No Agreement

Just Cool It!: The Climate Crisis and What We Can Do - A Post-Paris Agreement Game Plan

Just Cool It!: The Climate Crisis and What We Can Do - A Post-Paris Agreement Game Plan by David Suzuki, Ian Hanington
English | April 22nd, 2017 | ASIN: B06XJWBJBB, ISBN: 1771642599 | 312 Pages | EPUB | 0.66 MB

Climate change is the most important crisis humanity has faced, but we still confront huge barriers to resolving it. So, what do we do, and is there hope for humanity? The problem itself is complex, and there’s no single solution. But by understanding the barriers to resolving global warming and by employing a wide range of solutions—from shifting to clean energy to planting trees to reforming agricultural practices—we can get the world back on track.
Assessing Intellectual Property Compliance in Contemporary China: The World Trade Organisation TRIPS Agreement

Assessing Intellectual Property Compliance in Contemporary China: The World Trade Organisation TRIPS Agreement by Kristie Thomas
English | 2017 | ISBN: 9811030715 | 204 Pages | PDF | 4.4 MB

Since its accession to the World Trade Organisation (WTO) in December 2001, China has been committed to full compliance with the Trade-Related Intellectual Property Rights (TRIPS) Agreement.
Alban Berg Quartett - Schubert: String Quartets No.14 "Der Tod und das Madchen", No.13 "Rosamunde" (1985)

Alban Berg Quartett - Schubert: String Quartets No.14 "Der Tod und das Madchen", No.13 "Rosamunde" (1985)
EAC | APE (image+.cue, log) | Covers Included | 01:12:24 | 309 MB
Genre: Classical | Label: EMI Classics | Catalog: CDC 7 47333 2

These are studio recordings, dating from 1985 and completing a series begun in the late 70s with the C-major quintet and pursued in the early 80s with the 15th quartet and the "Trout" quintet. The "Death and the Maiden" here is not to be confused with the later, live recording made by the ABQ and released in 1998 - which I haven't heard, but which received warm reviews.
From the Paris Agreement to a Low-Carbon Bretton Woods: Rationale for the Establishment of a Mitigation Alliance [Repost]

Michele Stua - From the Paris Agreement to a Low-Carbon Bretton Woods: Rationale for the Establishment of a Mitigation Alliance
Published: 2017-03-05 | ISBN: 3319546988 | PDF | 239 pages | 2.79 MB
Billy Eckstine - No Cover No Minimum (1960) {Roulette Jazz-Blue Note CDP 0777 7 98583 2 3 rel 1992}

Billy Eckstine - No Cover No Minimum (1960) {Roulette Jazz-Blue Note CDP 0777 7 98583 2 3 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 359 Mb | MP3 @320 -> 153 Mb
Full Artwork @ 600 dpi (jpg) -> 119 Mb | 5% repair rar
© 1960, 1992 Roulette Jazz / Blue Note / EMI | CDP 0777 7 98583 2 3
Jazz / Vocal Jazz / Standards / Trumpet

This CD has an unusual cover picture showing Billy Eckstine singing while holding a trumpet. He does indeed take a few short trumpet solos on the well-rounded program, 24 songs (13 previously unissued) performed during one night in Las Vegas. Eckstine, who is backed by an orchestra arranged by his pianist Bobby Tucker, is heard in prime form on a variety of standards. His baritone voice (which was quite influential) straddles the boundary between middle-of-the-road pop and jazz on such numbers as "I've Grown Accustomed to Her Face," "Without a Song," "Prisoner of Love," "I Apologize", "Alright, Okay, You Win" and "'Deed I Do." A good example of his talents.
Emmanuelle Bertrand, Pascal Amoyel & BBC National Orchestra of Wales - Shostakovich: Cello Concerto No. 1 (2013) [24/96]

Emmanuelle Bertrand, Pascal Amoyel & BBC National Orchestra of Wales - Shostakovich: Cello Concerto No.1 (2013)
FLAC (tracks) 24 bit/96 kHz | Time - 63:06 minutes | 1,13 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

10 stars out of 10 - "This is one hell of a performance of Shostakovich's First Cello Concerto. Emmanuelle Bertrand and conductor Pascal Amoyel team up to produce one of the most intense and neurotic versions yet of this intense and neurotic piece". – Classics Today

Nadja No by Bernie Brunmair  Girls

Posted by nrg at April 24, 2018
Nadja No by Bernie Brunmair

Nadja No - Bernie Brunmair Photoshoot 2017
13 jpg | up to 2100*1400 | 25.54 MB
Vienna based model

No Impact Man: The Adventures of a Guilty Liberal Who Attempts to Save the Planet  eBooks & eLearning

Posted by step778 at April 24, 2018
No Impact Man: The Adventures of a Guilty Liberal Who Attempts to Save the Planet

Colin Beavan, "No Impact Man: The Adventures of a Guilty Liberal Who Attempts to Save the Planet, and the Discoveries He Makes About Himself and Our Way of Life in the Process"
2010 | pages: 288 | ISBN: 0312429835 | EPUB | 0,5 mb
Mariss Jansons, Royal Concertgebouw Orchestra - Rachmaninoff: Symphony No. 2 (2016) MCH SACD ISO + Hi-Res FLAC

Mariss Jansons, Royal Concertgebouw Orchestra - Rachmaninoff: Symphony No.2 (2016)
SACD Rip | SACD ISO | DST64 2.0 & 5.0 > 1-bit/2.8224 MHz | 55:50 minutes | Scans NOT included | 2,7 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans NOT included | 1012 MB

The RCO's performance history of Sergei Rachmaninoff's Second Symphony is strangely uneven. Already three years after its completion the symphony was performed by Willem Mengelberg in a program that also boasted the composer as soloist in his own Piano Concerto No. 3. After that the symphony was on the program once more in 1921 and then there's a gap of 59 years. From 1980 on no less than ten conductors (including Vladimir Ashkenazy, Kirill Kondrashin and Kurt Sanderling) put it on the RCO's music stands. The latest RCO incarnation proved to be an ideal performance. With Mariss Jansons at the helm, mind and heart of this piece are totally balanced and the opulence of the RCO's sound at the Concertgebouw iss perfectly suited to Rachmaninoff's most beloved symphony.

Nazareth - Expect No Mercy (1977) {US Press}  Music

Posted by popsakov at April 23, 2018
Nazareth - Expect No Mercy (1977) {US Press}

Nazareth - Expect No Mercy (1977) {US Press}
EAC Rip | FLAC (Img) + Cue + Log ~ 264 Mb | MP3 CBR320 ~ 105 Mb
Scans Included (JPG, 600 dpi) | RAR 5% Recovery
Classic Rock, Hard Rock | A&M Records #CD 3343 / DIDX-005711

On this 1977 album, Nazareth makes a full-blooded return to the hard rock sound they had neglected since their success with Hair of the Dog. The result is a potent, driving slab of hard rock that will please Nazareth fans and devotees of 1970s hard rock alike. The album sets its frenzied tone right off the bat with its title track, a blistering rocker that features Dan McCafferty spitting out a sharp-edged vocal about life's cruelty over a series of fast and relentless guitar riffs. The remainder of the album prominently features a similarly brutal string of rockers: standouts include "Revenge Is Sweet," a paean to getting even that combines chugging guitar riffs with a stomping beat, and "Gimme What's Mine," a fierce declaration of dominance that layers Southern rock-styled riffs over a churning bassline.